In "Kinderseele" (1920), Hesse dissects childhood consciousness with surgical precision, crafting a narrative that transcends typical coming-of-age tropes that reflects Carl Jung’s arguments with Freud over child development. Freud published a work with a similar title. The work, often overshadowed by Hesse's more famous novels, represents his most uncompromising examination of moral awakening, presenting the child protagonist's theft of figs not merely as a minor transgression but as a profound metaphysical rupture—the moment when the unified self shatters into observer and observed, marking the true death of childhood innocence. Much of the story bears out Freud’s early model of childhood: forbidden desire seeks an outlet through petty crime, the superego lashes back, and anxiety saturates perception until every staircase and hallway seems to breathe accusation. The boy’s stomach cramps, the pounding pulse, the imagined gallows and pitch—each detail reads like a textbook page on moral panic created by interiorised authority. When the father leads him through the streets toward the confectioner who will expose the lie, the drama turns into a case study of punitive conscience pressing the ego toward confession. Yet the same pages invite a Jungian reading that sees more at work than mere repression. The locked attic where the boy spends Sunday afternoon offers a threshold to the shadow, a private chamber filled with forgotten books whose dusty covers shimmer like archetypal gateways once a roof tile is slid aside to admit light. The theft appears less a wish to possess fruit than an unconscious bid to seize vitality from the patriarch and begin an individuation journey that institutional Christianity has stifled. The later walk past the mill and up the forest ridge stages an encounter with the autonomous psyche; landscape turns mythic, the self splits into pursuer and pursued, and the child intuits a destiny beyond family law. Hesse knew both pioneers. He read Freud’s Traumdeutung soon after publication and corresponded with Jung from 1916, attending sessions at Küsnacht during the composition of Demian. Kinderseele sits at the hinge of those influences. Its diagnostic thrust follows Freud—guilt as symptom of forbidden impulse—yet the proposed cure leans toward Jung. No analyst arrives to decode the fig theft; instead the boy half-consciously longs for a wider reconciliation where inner judge and inner outlaw clasp hands, something closer to Jung’s later idea of the Self. This new edition features a fresh, contemporary translation of Hesse's early work, making his philosophical, existentialist literature accessible to modern readers from the original Fraktur manuscripts. Enhanced by an illuminating Afterword focused on Hesse's personal and intellectual relationship with Carl Jung, a concise biography, a glossary of essential philosophical terms integral to his writings (his version of Jungian Psychological concepts) and a detailed chronology of his life and major works, this robust edition introduces the reader to the brilliance of his literature in context. It not only captures the depth and nuance of Hesse’s thought but also highlights its enduring impact on the debates of the mid-20th century, contemporary culture and Western Philosophy across the 20th and into the 21st century.