Zama
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เจ 2016 ยท New York Review of Books
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An NYRB Classics Original
First published in 1956, Zama is now universally recognized as one of the masterpieces of modern Argentine and Spanish-language literature.
ย
Written in a style that is both precise and sumptuous, weirdly archaic and powerfully novel, Zama takes place in the last decade of the eighteenth century and describes the solitary, suspended existence of Don Diego de Zama, a highly placed servant of the Spanish crown who has been posted to Asunciรณn, the capital of remote Paraguay. There, eaten up by pride, lust, petty grudges, and paranoid fantasies, he does as little as he possibly can while plotting his eventual transfer to Buenos Aires, where everything about his hopeless existence will, he is confident, be miraculously transformed and made good.
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Don Diegoโs slow, nightmarish slide into the abyss is not just a tale of one manโs perdition but an exploration of existential, and very American, loneliness. Zama, with its stark dreamlike prose and spare imagery, is at once dense and unforeseen, terse and fateful, marked throughout by a haunting movement between sentences, paragraphs, and sections, so that every word seems to emerge from an ocean of things left unsaid. The philosophical depths of this great book spring directly from its dazzling prose.
First published in 1956, Zama is now universally recognized as one of the masterpieces of modern Argentine and Spanish-language literature.
ย
Written in a style that is both precise and sumptuous, weirdly archaic and powerfully novel, Zama takes place in the last decade of the eighteenth century and describes the solitary, suspended existence of Don Diego de Zama, a highly placed servant of the Spanish crown who has been posted to Asunciรณn, the capital of remote Paraguay. There, eaten up by pride, lust, petty grudges, and paranoid fantasies, he does as little as he possibly can while plotting his eventual transfer to Buenos Aires, where everything about his hopeless existence will, he is confident, be miraculously transformed and made good.
ย
Don Diegoโs slow, nightmarish slide into the abyss is not just a tale of one manโs perdition but an exploration of existential, and very American, loneliness. Zama, with its stark dreamlike prose and spare imagery, is at once dense and unforeseen, terse and fateful, marked throughout by a haunting movement between sentences, paragraphs, and sections, so that every word seems to emerge from an ocean of things left unsaid. The philosophical depths of this great book spring directly from its dazzling prose.
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Antonio di Benedetto (1922โ1986) was an Argentine journalist and the author of five novels, of which Zama is the best known. His first book, the story collection Mundo Animal (1952), appeared in English translation in 1997 as Animal World.
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Esther Allen has translated Javier Marรญas, Jorge Luis Borges, Felisberto Hernรกndez, Flaubert, Rosario Castellanos, Blaise Cendrars, Marie Darrieussecq, and Josรฉ Martรญ. She currently teaches at Baruch College and has directed the work of the PEN Translation Fund since its founding in 2003. Allen has received a Fulbright Grant, two National Endowment for the Arts Translation Fellowships, and was named a Chevalier of the Order of Arts and Letters.
ย
Esther Allen has translated Javier Marรญas, Jorge Luis Borges, Felisberto Hernรกndez, Flaubert, Rosario Castellanos, Blaise Cendrars, Marie Darrieussecq, and Josรฉ Martรญ. She currently teaches at Baruch College and has directed the work of the PEN Translation Fund since its founding in 2003. Allen has received a Fulbright Grant, two National Endowment for the Arts Translation Fellowships, and was named a Chevalier of the Order of Arts and Letters.
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