Wilhelm Meister's Years of Travel

· The Collected Works of Goethe Libro 5 · Voltaire Press
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"Aristotle declares the philosophical life to be the happiest. Even what he says in the Politics belongs here: "to be able to exercise one's excellence, of whatever kind it may be, unhindered, is happiness proper", and thus coincides with Goethe's saying in the Wilhelm Meister: "he who is born with a talent, to a talent, finds in it his most beautiful being. - But to possess free leisure is not only foreign to man's ordinary fate, but also to his ordinary nature: for his natural destiny is to spend his time in procuring what is necessary for his and his family's existence. He is a son of necessity, not a free intelligence."

Parerga and Paralipomena, Schopenhauer

Published in 1821 by Cotta in Stuttgart, Wilhelm Meister’s Years of Travel, or the Renunciants (Wilhelm Meisters Wanderjahre oder Die Entsagenden) is Goethe’s sequel to Wilhelm Meisters Apprenticeship and one of the most enigmatic works of his late period. Unlike the earlier novel, which followed a Bildungsroman structure charting Wilhelm’s development through experience, the Wanderjahre abandons linear narrative for a fragmented, episodic form—interweaving travel scenes, inserted novellas, institutional sketches, and reflections on work, renunciation, and human limitation. Goethe had planned the book in fragments as early as 1807 and revised it several times, issuing an expanded edition in 1829.

The novel opens with Wilhelm, now a middle-aged man, journeying through unnamed regions with his son Felix, under a rule not to remain anywhere too long. Their movements pass through educational settlements, industrial projects, and ambiguous societies guided by strict rules of self-discipline and withdrawal. Throughout, Goethe inserts tales such as The Pilgrim Fool, Saint Joseph the Second, and Who Is the Traitor?, which mirror and complicate the novel’s larger themes—especially the tension between action and restraint, and between worldly engagement and voluntary renunciation. The Wanderjahre resists resolution, presenting travel not as a metaphor for personal discovery but as a pattern of detachment, repetition, and partial insight. By refusing narrative closure, Goethe recasts the novel form itself, producing a work that moves restlessly between reflection, parable, and social fantasy.

This critical reader's edition offers a modern translation of the original Fraktur manuscript (the old German script) to help curious readers delve into Goethe's works. It uses clear, contemporary language and straightforward sentences to illuminate his complex ideas. The edition includes supplementary material that provides autobiographical, historical, and linguistic context for this eighteenth-century work. This material includes an afterword by the translator that discusses Goethe’s history, impact, and intellectual legacy, as well as an index of the philosophical concepts he explored, with a focus on Romanticism and Classicism. Also included are a comprehensive chronological list of his published writings and a detailed timeline of his life, highlighting the personal relationships that profoundly influenced his philosophy.

Informazioni sull'autore

One of the core writers of German Romanticism, Goethe was German poet, playwright, novelist, scientist, statesman, theatre director, and critic, Goethe is considered the greatest German literary figure of the modern era, next to his friend Schiller. His works, including "Faust," "The Sorrows of Young Werther," and "Wilhelm Meister's Apprenticeship," have influenced various literary movements. NApolean, whom Goethe met, loved his novel "The Sorrows of Young Werther". Goethe also knew Hegel and Feuerbach personally. Goethe's ideas on color theory and plant morphology also contributed to the development of various scientific fields.

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