The Tragedy of Romeo and Juliet
แแแ . 2012 ยท Hackett Publishing
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George Lyman Kittredgeโs insightful editions of Shakespeare have endured in part because of his eclecticism, his diversity of interests, and his wide-ranging accomplishments, all of which are reflected in the valuable notes in each volume.
These new editions have specific emphasis on the performance histories of the plays (on stage and screen).
Features of each edition include:
The original introduction to the Kittredge Edition Editorโs Introduction to the Focus Edition. An overview on major themes of the plays, and sections on the playโs performance history on stage and screen. Explanatory Notes. The explanatory notes either expand on Kittredgeโs superb glosses, or, in the case of plays for which he did not write notes, give the needed explanations for Shakespeareโs sometimes demanding language. Performance notes. These appear separately and immediately below the textual footnotes and include discussions of noteworthy stagings of the plays, issues of interpretation, and film and stage choices. How to read the play as Performance Section. A discussion of the written play vs. the play as performed and the various ways in which Shakespeareโs words allow the reader to envision the work "off the page." Comprehensive Timeline. Covering major historical events (with brief annotations) as well as relevant details from Shakespeareโs life. Some of the Chronologies include time chronologies within the plays. Topics for Discussion and Further Study Section. Critical Issues: Dealing with the text in a larger context and considerations of character, genre, language, and interpretative problems. Performance Issues: Problems and intricacies of staging the play connected to chief issues discussed in the Focus Editionsโ Introduction. Select Bibliography & FilmographyEach New Kittredge edition also includes screen grabs from major productions, for comparison and scene study.
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Bernice W. Kliman (1933โ2011) was the editor of The Enfolded Hamlets, and co-editor of The Three-Text Hamlet and of Focus (New Kittredge) editions of Hamlet, Romeo and Juliet, and Measure for Measure. In addition to books and articles on performance history, she published numerous notes and essays about the early history of editing. She was the coordinating editor of hamletworks.org.
Laury Magnus is Professor of Humanities at the United States Merchant Marine Academy in Kings Point, New York. Her books include a study of poetic repetition in early twentieth-century British and American poetry and a co-translation and introduction to Ivan Goncharovโs nineteenth-century Russian novel, The Precipice. Her articles have appeared in The Wallace Stevens Journal, Assays,Language and Style, and, on Shakespeare, in Literature/Film Quarterly, Connotations, and College Literature. She is also a frequent contributor to The Shakespeare Newsletter and an Associate Member of the Columbia Shakespeare Seminar.
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