關於這本電子書
Darkly satirical and wickedly funny, this prize-winning novel takes a tilt at a wide range of contemporary matters. What happened that connects a diverse group of characters, along with an ex-All Black and an elephant? The people who committed the act of revenge in 1985 thought it was perfectly executed. Twenty years on, the truth is revealed, the truth about the deception that started it all. From sexual stereotyping to militant feminism, the machismo of the All Blacks to new age beliefs, psychiatry to womb burial and naming ceremonies, nothing is safe from the razor-sharp wit of this superb writer. This novel won the Deutz Medal for Fiction in the Montana New Zealand Book Awards.
關於作者
Stephanie Johnson is the author of several collections of poetry and of short stories, some plays and adaptations, and many fine novels. The New Zealand Listener commented that ‘Stephanie Johnson is a writer of talent and distinction. Over the course of an award-winning career — during which she has written plays, poetry, short stories and novels — she has become a significant presence in the New Zealand literary landscape, a presence cemented and enhanced by her roles as critic and creative writing teacher.’ The Shag Incident won the Montana Deutz Medal for Fiction in 2003, and Belief was shortlisted for the same award. Stephanie has also won the Bruce Mason Playwrights Award and Katherine Mansfield Fellowship, and was the 2001 Literary Fellow at the University of Auckland. Many of her novels have been published in Australia, America and the United Kingdom. She co-founded the Auckland Writers and Readers Festival with Peter Wells in 1999. She is the 2023 recipient of the Prime Minister's Award for Literature. The Oxford Companion to New Zealand Literature describes Johnson’s writing as ‘marked by a dry irony, a sharp-edged humour that focuses unerringly on the frailties and foolishness of her characters . . . There is compassion, though, and sensitivity in the development of complex situations’, and goes on to note that ‘a purposeful sense of . . . larger concerns balances Johnson’s precision with the small details of situation, character and voice that give veracity and colour’.
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