Steppenwolf
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Thomas Wayne presents a contemporary take on Hesse's classic story, so apt today, of the lone individual lost in the ironic good fortune and security of bourgeois banality and cultural conformity. Harry Haller has all the insight, all the leisure, all the material goods he needs, yet he is not at peace with his life. A potent combination of Eastern and Western insights into the human search for meaning is given new life in a fresh translation.
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Hermann Hesse (July 2, 1877 -- August 9, 1962) was a German poet, novelist, essayist and painter. His best-known works included Steppenwolf, Siddhartha, and The Glass Bead Game, each of which explores an individual's search for authenticity, self-knowledge and spirituality. In 1946, he received the Nobel Prize in Literature. Hess publicly announced his views on the savagery of World War I, and was considered a traitor. He moved to Switzerland where he eventually became a naturalized citizen. He warned of the advent of World War II, predicting that cultureless efficiency would destroy the modern world. His theme was usually the conflict between the elements of a person's dual nature and the problem of spiritual loneliness. His first novel, Peter Camenzind, was published in 1904. His masterpiece, Death and the Lover (1930), contrasts a scholarly abbot and his beloved pupil, who leaves the monastery for the adventurous world. Steppenwolf (1927), a European bestseller, was published when defeated Germany had begun to plan for another war. It is the story of Haller, who recognizes in himself the blend of the human and wolfish traits of the completely sterile scholarly project. During the 1960s Hesse became a favorite writer of the counter culture, especially in the United States, though his critical reputation has never equaled his popularity. Hermann Hesse died in 1962.
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