Sisters of the Cross
Des. 2017 · Columbia University Press
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The first English translation of a remarkable masterpiece of early modernist fiction from 1910 by an influential member of the Russian Symbolist movement.
Thirty-year-old Piotr Alekseevich Marakulin lives a contented, if humdrum life as a financial clerk in a Petersburg trading company. He is jolted out of his daily routine when, quite unexpectedly, he is accused of embezzlement and loses his job. This change of status brings him into contact with a number of women—the titular “sisters of the cross”—whose sufferings will lead him to question the ultimate meaning of the universe.
In the tradition of Gogol’s Petersburg Tales and Dostoevsky’s Crime and Punishment, Sisters of the Cross deploys densely packed psychological prose and fluctuating narrative perspective to tell the story of a “poor clerk” who rebels against the suffering and humiliation afflicting both his own life and the lives of the remarkable women whom he encounters in the tenement building where he lives in Petersburg. The novel reaches its haunting climax at the beginning of the Whitsuntide festival, when Marakulin thinks he glimpses the coming of salvation both for himself and for the “fallen” actress Verochka, the unacknowledged love of his life, in one of the most powerfully drawn scenes in Symbolist literature. Remizov is best known as a writer of short stories and fairy tales, but this early novel, masterfully translated by Roger Keys and Brian Murphy, is perhaps his most significant work of sustained artistic prose.
“Dark and beguiling; Remizov is a writer worth knowing about, and this slender volume makes a good start.” —Kirkus Reviews
Thirty-year-old Piotr Alekseevich Marakulin lives a contented, if humdrum life as a financial clerk in a Petersburg trading company. He is jolted out of his daily routine when, quite unexpectedly, he is accused of embezzlement and loses his job. This change of status brings him into contact with a number of women—the titular “sisters of the cross”—whose sufferings will lead him to question the ultimate meaning of the universe.
In the tradition of Gogol’s Petersburg Tales and Dostoevsky’s Crime and Punishment, Sisters of the Cross deploys densely packed psychological prose and fluctuating narrative perspective to tell the story of a “poor clerk” who rebels against the suffering and humiliation afflicting both his own life and the lives of the remarkable women whom he encounters in the tenement building where he lives in Petersburg. The novel reaches its haunting climax at the beginning of the Whitsuntide festival, when Marakulin thinks he glimpses the coming of salvation both for himself and for the “fallen” actress Verochka, the unacknowledged love of his life, in one of the most powerfully drawn scenes in Symbolist literature. Remizov is best known as a writer of short stories and fairy tales, but this early novel, masterfully translated by Roger Keys and Brian Murphy, is perhaps his most significant work of sustained artistic prose.
“Dark and beguiling; Remizov is a writer worth knowing about, and this slender volume makes a good start.” —Kirkus Reviews
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Alexei Remizov (1877–1957) was a Russian novelist and short-story writer known for his unique style, which blends a popular Russian idiom with the language of old Russian tales and folklore.Roger Keys is the author of The Reluctant Modernist: Andrei Belyi and the Development of Russian Fiction, 1902–1914 (1996) and numerous articles on Russian Symbolism. Brian Murphy (1923–2017) was professor emeritus of Russian at the University of Ulster. His publications include works on Mikhail Sholokhov and Mikhail Zoshchenko.
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