Shakespeare and Creative Criticism
Rob Conkie · Scott Maisano
Set 2019 · Shakespeare & Aklat 4 · Berghahn Books
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What kinds of critical insights are made possible only or especially via creative strategies? This volume examines how creative modes of writing might facilitate or inform new ways to critically engage with Shakespeare. Creative writing, demonstrated in a series of essays, reflections, stories and scenes, operates as a vehicle for exploring and articulating critical and theoretical ideas. In doing so, Shakespeare’s enduring creative and critical appeal is newly understood and critiqued.
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Rob Conkie is Senior Lecturer in Theatre at La Trobe University. His teaching and research integrate practical and theoretical approaches to Shakespeare in performance. He is the author of Writing Performative Shakespeares: New Forms for Performance Criticism (Cambridge University Press, 2016) and The Globe Theatre Project: Shakespeare and Authenticity (Edwin Mellen, 2006). He has directed about a third of the Shakespeare canon for the stage.
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