Sand / Elizabeth (Storycuts)
nov. de 2011 · Random House
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In 'Sand', sisters Clara and Lizzie recall an extraordinary childhood trip to the beach with their surly mother who, coming across a wailing boy, had calmly handed him her handkerchief; the sacred relic which she kept in her purse at all times, and which had belonged to her beloved late father, which she had - until that moment - guarded with her life.
In 'Elizabeth', 'There's a world beyond yourself you must break through to,' Elizabeth's mother chides, lest her only daughter inherit her own ill-fate: doomed to scrape by on the bottom rung of society, married to a feckless man who would put his own sense of adventure before his wife's ill-health. Timid Elizabeth is initially terrified by the thought of leaving her insular existence, but when tragedy strikes her family, she resolves to follow her mother's advice and break free.
Part of the Storycuts series, these two short stories were previously published in the collection The Boy Who Taught the Beekeeper to Read.
In 'Elizabeth', 'There's a world beyond yourself you must break through to,' Elizabeth's mother chides, lest her only daughter inherit her own ill-fate: doomed to scrape by on the bottom rung of society, married to a feckless man who would put his own sense of adventure before his wife's ill-health. Timid Elizabeth is initially terrified by the thought of leaving her insular existence, but when tragedy strikes her family, she resolves to follow her mother's advice and break free.
Part of the Storycuts series, these two short stories were previously published in the collection The Boy Who Taught the Beekeeper to Read.
Acerca do autor
SUSAN HILL has been a professional writer for over fifty years. Her books have won awards and prizes including the Whitbread, the John Llewellyn Rhys and a Somerset Maugham, and have been shortlisted for the Booker. Her novels include Strange Meeting, I'm the King of the Castle, In the Springtime of the Year and The Mist in the Mirror. She has also published autobiographical works and collections of short stories as well as the Simon Serrailler series of crime novels. The play of her ghost story The Woman in Black is one of the longest running in the history of London's West End. In 2020 she was awarded a damehood (DBE) for services to literature. She has two adult daughters and lives in North Norfolk.
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