Romantic Songs

Hermann Hesse

The Early Works of Hermann Hesse 第 39 冊 · Marchen Press

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關於本電子書

Hesse’s literary journey began humbly in 1899 with Romantische Lieder, a slim collection of lyrical poetry published in Leipzig by Eugen Diederichs. This first book, whose title translates to “Romantic Songs,” drew on the 19th-century German Romantic tradition that Hesse adored in his youth. Yet the volume met with little fanfare at the time: only 54 of the 600 printed copies sold in its first two years. The lukewarm reception disheartened the young poet. Even Hesse’s family reacted coolly—his devout mother was “shocked” by these secular verses she deemed almost sinful. Such was the quiet, inauspicious debut of a writer who would later win the Nobel Prize. Here we see a youthful preoccupation with transience, its rhythms oscillating between ecstatic reverie and brooding solitude. Early critics dismissed it as imitative of Hölderlin and Eichendorff, yet its unvarnished emotionality foreshadows Hesse’s later explorations of spiritual dislocation. The poems, though derivative in form, seed themes of artistic alienation that would burgeon in his novels, their rawness a testament to the struggles of a young writer negotiating aesthetic ideals amid industrial modernity. The collection reveals a young poet wrestling with themes that would define his later masterworks: transience, spiritual searching, and artistic isolation. Through imagery of waning moons and desolate landscapes, Hesse crafts an emotional pendulum swinging between exaltation and melancholy. Though contemporary critics dismissed these early poems as derivative of Hölderlin and Eichendorff, they contain the embryonic explorations of spiritual dislocation that would later come to bare fully in his celebrated novels. This edition includes six previously uncollected pieces published posthumously from this formative period, including some relevant vignettes from Hermann Lauscher, to create a more comprehensive picture of these early romantic years: • Der Hausierer (The Peddler, 1904) • Schlaflose Nächte (Sleepless Nights, 1905) • Das erste Abenteuer (The First Adventure, 1905) • Eine Sonate (A Sonata, 1906) • Liebe (Love, 1906) This edition features a fresh, contemporary translation of Hesse's early works, making his philosophical, existentialist literature accessible to modern readers. Enhanced by an illuminating Afterword from the translator focused on Hesse's personal and intellectual relationship with Carl Jung, a concise biography of Hesse, a glossary of essential philosophical terms integral to his writings (his iteration of Jungian Psychological concepts) and a detailed chronology of his life and major works, this robust edition introduces the reader to the context of Hesse's brilliant literature. This volume not only captures the depth and nuance of Hesse’s thought but also highlights its enduring impact on contemporary culture and spiritual inquiry across the 20th century.

關於作者

Herman Hesse (1877-1962) navigated a life shaped by psychological turbulence that fundamentally transformed his literary vision following his pivotal encounter with Carl Jung's analytical psychology. After suffering a severe breakdown in 1916 amid his crumbling first marriage and the ravages of World War I, Hesse underwent intensive psychoanalysis with Jung's student J.B. Lang and later with Jung himself, sessions that would profoundly alter his creative trajectory. This Jungian influence became evident in his subsequent works, particularly "Demian" and "Steppenwolf," where the protagonist's journey toward individuation—Jung's concept of integrating the conscious and unconscious aspects of personality—emerges as a central theme. Hesse's correspondence with Jung continued for decades, their intellectual relationship deepening as Hesse increasingly incorporated Jungian archetypes, dream symbolism, and the notion of the shadow self into his narratives of spiritual seeking. The writer later acknowledged that Jung's therapeutic methods had not only rescued him from psychological collapse but had fundamentally reshaped his understanding of human consciousness, enabling him to transmute his personal suffering into the allegorical quests for wholeness that characterized his most enduring works.RetryClaude can make mistakes. Please double-check responses.