Research and Development in British Theatre
Tom Cantrell · Katherine Graham · Karen Quigley · Mark Love-Smith
2025年5月 · Bloomsbury Publishing
电子书
216
页
report评分和评价未经验证 了解详情
关于此电子书
This is the first book to explore the rich range of research and development (R&D) practices in contemporary British theatremaking. Featuring chapters by internationally recognised researchers, as well as interviews with innovative theatremakers, this book analyses the work of some of the most exciting theatre companies in Britain. This collection draws on conversations with Selina Thompson, Rosie Elnile, Third Angel and many others, offering hints and tips for your own creative practice. The book argues passionately for the funding of R&D, recognising its enormous significance to British theatre-making processes.
作者简介
Tom Cantrell is a Professor of Theatre and Head of the School of Arts and Creative Technologies at the University of York, UK. He has published widely on acting processes, including Acting in Documentary Theatre (Palgrave 2013), Acting in British Television (Palgrave 2017) and Exploring Television Acting (Bloomsbury 2018), co-written with Christopher Hogg.
Katherine Graham is a Senior Lecturer in Theatre at the University of York, UK, where her research focuses on the agency of materials in performance. She has also worked extensively as a lighting designer for theatre and dance and has published work about light in Theatre and Performance Design Journal, Studies in Theatre and Performance, and Contemporary Theatre Review. She is co-editor, with Kelli Zezulka and Scott Palmer, of Contemporary Performance Lighting: Experience, Creativity, Meaning (Bloomsbury 2023).
Mark Love-Smith is a Senior Lecturer in Theatre at the University of York, UK. He has research interests in devised and physical theatre, community theatre, and the interplay of writing, directing and devising. His latest publication is the Routledge Performance Practitioners book on Frantic Assembly, co-written with Professor Mark Evans.
Karen Quigley is a Senior Lecturer in Theatre at the University of York, UK. Her first monograph, Performing the Unstageable: Success, Imagination, Failure was published by Bloomsbury in 2020. She has also published research on a range of subjects including site-specific performance, solo spectatorship, embodied voice, British television comedy and theatre-fiction.
Katherine Graham is a Senior Lecturer in Theatre at the University of York, UK, where her research focuses on the agency of materials in performance. She has also worked extensively as a lighting designer for theatre and dance and has published work about light in Theatre and Performance Design Journal, Studies in Theatre and Performance, and Contemporary Theatre Review. She is co-editor, with Kelli Zezulka and Scott Palmer, of Contemporary Performance Lighting: Experience, Creativity, Meaning (Bloomsbury 2023).
Mark Love-Smith is a Senior Lecturer in Theatre at the University of York, UK. He has research interests in devised and physical theatre, community theatre, and the interplay of writing, directing and devising. His latest publication is the Routledge Performance Practitioners book on Frantic Assembly, co-written with Professor Mark Evans.
Karen Quigley is a Senior Lecturer in Theatre at the University of York, UK. Her first monograph, Performing the Unstageable: Success, Imagination, Failure was published by Bloomsbury in 2020. She has also published research on a range of subjects including site-specific performance, solo spectatorship, embodied voice, British television comedy and theatre-fiction.
为此电子书评分
欢迎向我们提供反馈意见。
如何阅读
智能手机和平板电脑
笔记本电脑和台式机
您可以使用计算机的网络浏览器聆听您在 Google Play 购买的有声读物。
电子阅读器和其他设备
如果要在 Kobo 电子阅读器等电子墨水屏设备上阅读，您需要下载一个文件，并将其传输到相应设备上。若要将文件传输到受支持的电子阅读器上，请按帮助中心内的详细说明操作。
