Postclassical Violin - Book 1
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Postclassical is a term used to descripe music genres and musicality which players investigate after a prolonged period or immersed career of playing exclusively classical music. It is a great way to utilise your existing knowledge and technique in other genres.
The objective of this book is to guide string players through a structured and sequenced path to becoming a more fluent improvisor and a more effective ensemble member. You will achieve this by also expanding your role as an accompaniment instrument in an ensemble setting.
This book is aimed at players who are already reasonably fluent with their instrument and musical vernacular and who can read sheet music, chord charts and lead sheets.
There are eighty tunes from the swing Manouche style used in this system; the idea being that you increase your repertoire whilst developing your knowledge of playing through this genre. It is essential to learn and memorise the chord progression and form of each tune BEFORE you memorise the melody. If you only learn the melody, then you only know half of the tune. Be like a conductor, be aware of what everyone in the band is doing, what all the other roles are in a tune. Immerse yourself in a genre and remember; you are what you listen to.
The skills presented are not specific to jazz. These concepts are easily transferrable to bluegrass, old timey, swing, folk, trad and other genres with elements of spontaneous creativity and mixed instrumentation. I chose Manouche jazz as the medium for these techniques as I have the most experience in this genre and there is an abundance of repertoire and recordings. As a style it features the violin quite prominently, it is great fun to learn about and play and I really enjoy it.
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Originally from Ireland, Charlie McCarthy is an Australian based violinist/fiddle player who has performed with symphony orchestras, chamber ensembles, jazz combos, bluegrass and Irish bands as well as being a session musician/soloist for movie soundtracks, pit orchestras, studio recordings and everything in between. Charlie began learning the violin when he was two years old and comes from a classical background. From an early start in the Suzuki system and humble beginnings playing viola in youth orchestras, busking and string quartet gigs at weddings he has gone on to perform as a professional orchestral musician, session recording player, live looper and sideman in folk and jazz ensembles.
As an educator he has previously held the position of Head of Strings at Perth College in Western Australia and Head of Strings at St Michael’s Collegiate in Hobart. Charlie is currently a lecturer at the University of Tasmania in contemporary violin and also offers online violin lessons for players of all ages and styles. He presents Professional Development Seminars through the Australian String Teachers Association (AUSTA) and coordinates string workshops and camps throughout Australia. As an artist constantly developing and refining his own pedagogical philosophy his students benefit from his genuine love of music and his ability to kindle artistry as well as sequencing practical technique.
Current projects in 2020 include touring a new album of original jazz with the Harry Edwards Quartet (www.harryedwardsmusic.com), developing a new type of polyphonic violin bow (www.polycordebow.com) and also producing an online course in Postclassical Violin Technique in conjunction with this book.
Above all, Charlie McCarthy just loves playing the fiddle and having a great time sharing the joy of music with others
