Orchestration in Musical Theatre
xuño de 2025 · Bloomsbury Publishing
Libro electrónico
128
Páxinas
reportAs valoracións e as recensións non están verificadas Máis información
Acerca deste libro electrónico
Orchestration in Musical Theatre offers an analytic and critical overview of the practice, execution, and effects of orchestration in musical theatre since the time that rock music became significant in the genre.
Broadly described as the art of arranging a piece of music for a particular musical ensemble, orchestration is a specific skill that few composers or songwriters possess. This volume helps the reader understand and appreciate the art of orchestration and traces how the incorporation of rock and other types of popular music into scores for musical theatre on Broadway and in the West End fundamentally changed the genre's sound. From discussions of specific instrumentation through to a brief history of the art, this book demystifies how different instrumentation contributes to a show's soundscape.
Featuring case studies from shows such as Hair, The Phantom of the Opera, The Lion King, Wicked, and Hamilton, this accessible and engaging volume in the Topics in Musical Theatre series gives students the tools to identify and discuss how orchestration contributes to the drama, characterization and dramaturgy of the modern musical.
Broadly described as the art of arranging a piece of music for a particular musical ensemble, orchestration is a specific skill that few composers or songwriters possess. This volume helps the reader understand and appreciate the art of orchestration and traces how the incorporation of rock and other types of popular music into scores for musical theatre on Broadway and in the West End fundamentally changed the genre's sound. From discussions of specific instrumentation through to a brief history of the art, this book demystifies how different instrumentation contributes to a show's soundscape.
Featuring case studies from shows such as Hair, The Phantom of the Opera, The Lion King, Wicked, and Hamilton, this accessible and engaging volume in the Topics in Musical Theatre series gives students the tools to identify and discuss how orchestration contributes to the drama, characterization and dramaturgy of the modern musical.
Acerca do autor
Paul R. Laird is Professor Emeritus of Musicology at the University of Kansas, USA. He has published widely on the American musical theatre.
Elizabeth Sallinger is Visiting Assistant Professor of Music at the University of Connecticut, USA. Her research focuses on the Broadway musical and orchestration, examining rock musicals in particular.
Elizabeth Sallinger is Visiting Assistant Professor of Music at the University of Connecticut, USA. Her research focuses on the Broadway musical and orchestration, examining rock musicals in particular.
Valora este libro electrónico
Dános a túa opinión.
Información de lectura
Smartphones e tabletas
Instala a aplicación Google Play Libros para Android e iPad/iPhone. Sincronízase automaticamente coa túa conta e permíteche ler contido en liña ou sen conexión desde calquera lugar.
Portátiles e ordenadores de escritorio
Podes escoitar os audiolibros comprados en Google Play a través do navegador web do ordenador.
Lectores de libros electrónicos e outros dispositivos
Para ler contido en dispositivos de tinta electrónica, como os lectores de libros electrónicos Kobo, é necesario descargar un ficheiro e transferilo ao dispositivo. Sigue as instrucións detalladas do Centro de axuda para transferir ficheiros a lectores electrónicos admitidos.
