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“A slick Manhattan spin on the story of the sorcerer’s apprentice” from the New York Times–bestselling author of the horror classic The Other (Chicago Tribune).
Though he bills himself as the Greatest Magician in the World, Michael Hawke is painfully aware that he’s nothing more than a sidewalk. He plies his trade outside the Metropolitan Museum of Art, entrancing passing crowds with feats of conjuring and sleight of hand. One afternoon, he plays a trick on a shabbily dressed man whose beard is twisted and whose glass eye gives him a sinister leer. Offended, the man responds with magic of his own, casting a spell that causes Michael to hop like a frog, maniacally splashing in the fountain until the police have to haul him out.
When he recovers from this trance, Michael knows that he has encountered a true magician, one whose secrets he will give anything to understand. But this is black magic, mysterious and deadly, and pursuing it will mean a confrontation with an evil older than civilization itself.
Though he bills himself as the Greatest Magician in the World, Michael Hawke is painfully aware that he’s nothing more than a sidewalk. He plies his trade outside the Metropolitan Museum of Art, entrancing passing crowds with feats of conjuring and sleight of hand. One afternoon, he plays a trick on a shabbily dressed man whose beard is twisted and whose glass eye gives him a sinister leer. Offended, the man responds with magic of his own, casting a spell that causes Michael to hop like a frog, maniacally splashing in the fountain until the police have to haul him out.
When he recovers from this trance, Michael knows that he has encountered a true magician, one whose secrets he will give anything to understand. But this is black magic, mysterious and deadly, and pursuing it will mean a confrontation with an evil older than civilization itself.
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DIVThomas Tryon (1926–1991), actor turned author, made his bestselling debut with The Other (1971), which spent nearly six months on the New York Times bestseller list and allowed him to quit acting for good; a film adaptation, with a screenplay by Tryon and directed by Robert Mulligan, appeared in 1972. Tryon wrote two more novels set in the fictional Pequot Landing of The Other—Harvest Home (1973) and Lady (1974). Crowned Heads (1976) detailed the lives of four fictional film stars and All That Glitters (1986) explored the dark side of the golden age of Hollywood. Night Magic (published posthumously in 1995) was a modern-day retelling of The Sorcerer’s Apprentice. /div
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