Napoleonic Heavy Cavalry & Dragoon Tactics
ααααααΆ 2013 Β· Bloomsbury Publishing
5.0star
ααΆαααΆαααααα 1report
ααααα
βα’αα‘α·α
ααααΌαα·α
64
ααααα
reportααΆαααΆαααααα αα·αααα·ααΆαααααααα·αααααΌαααΆααααααααααΆαααα αααααααααααααα
α’αααΈααααα βα’αα‘α·α ααααΌαα·αααα
During the Napoleonic Wars the supreme battlefield shock weapon was the heavy cavalry β the French cuirassiers, and their British, Austrian, Prussian and Russian counterparts.
Big men mounted on big horses, the heavy cavalry were armed with swords nearly a metre long, used for slashing or thrusting at their opponents; many wore steel armour, a practice revived by Napoleon. They were tasked with smashing a hole in the enemy's line of battle, with exploiting a weakness, or with turning a flank. Their classic manoeuvre was the charge; arrayed in close-order lines or columns, the heavy cavalry would begin their attack at the walk, building up to a gallop for the final 50 metres before impact.
Illustrated with diagrams, relevant paintings and prints and specially prepared colour plates, this is the first volume of a two-part study of the cavalry tactics of the armies of Napoleon and those of his allies and opponents.
Written by a leading authority on the period, it draws upon drill manuals and later writings to offer a vivid assessment of how heavy cavalry actually fought on the Napoleonic battlefield.
Big men mounted on big horses, the heavy cavalry were armed with swords nearly a metre long, used for slashing or thrusting at their opponents; many wore steel armour, a practice revived by Napoleon. They were tasked with smashing a hole in the enemy's line of battle, with exploiting a weakness, or with turning a flank. Their classic manoeuvre was the charge; arrayed in close-order lines or columns, the heavy cavalry would begin their attack at the walk, building up to a gallop for the final 50 metres before impact.
Illustrated with diagrams, relevant paintings and prints and specially prepared colour plates, this is the first volume of a two-part study of the cavalry tactics of the armies of Napoleon and those of his allies and opponents.
Written by a leading authority on the period, it draws upon drill manuals and later writings to offer a vivid assessment of how heavy cavalry actually fought on the Napoleonic battlefield.
ααΆαααΆααααααΆα αα·αααα·ααΆαααααα
5.0
ααΆαααΆαααααα 1
α’αααΈβα’ααααα·αααα
Philip Haythornthwaite is an internationally respected author and historical consultant specializing in the military history, uniforms and equipment of the 18th and 19th centuries. His main area of research covers the Napoleonic Wars. He has written 40 books, including more than 20 Osprey titles, and numerous articles and papers on military history β but still finds time to indulge in his other great passion, cricket.
Adam Hook studied graphic design, and began his work as an illustrator in 1983. He specializes in detailed historical reconstructions, and has illustrated Osprey titles on the Aztecs, the Greeks, several 19th-century American subjects, and a number of books in the Fortress series. His work features in exhibitions and publications throughout the world.
Adam Hook studied graphic design, and began his work as an illustrator in 1983. He specializes in detailed historical reconstructions, and has illustrated Osprey titles on the Aztecs, the Greeks, several 19th-century American subjects, and a number of books in the Fortress series. His work features in exhibitions and publications throughout the world.
ααΆααααααααααα βα’αα‘α·α ααααΌαα·αααα
ααααΆααααΎαα’αααΈααΆααααααΎαααααα’αααα
α’αΆαβααααααΆα
ααΌαααααααααΆααα αα·αβααααααα
ααα‘αΎααααααα·ααΈ Google Play Books αααααΆαα Android αα·α iPad/iPhone α ααΆβααααΎααααΆαααααβαααααααααααααααα·ααΆαα½αβααααΈβααααα’αααβ αα·αβα’αα»ααααΆαα±ααβα’αααα’αΆααααβααΆαα’ααΈαααΊαα·α α¬ααααΆαβα’ααΈαααΊαα·αβαα
αααααααΈααααααα
αα»αααααΌαααβαα½ααα αα·ααα»αααααΌααα
α’αααα’αΆα
ααααΆααααααα
ααΆααα‘αααααααΆααα·ααα
αααα»α Google Play αααααααΎαααααα·ααΈαα»αααααΆαα’ααΈαααΊαα·ααααα»ααα»αααααΌαααααααα’αααα
eReaders αα·αβα§αααααβαααααβααα
ααΎααααΈα’αΆααα
ααΎβα§ααααα e-ink ααΌα
ααΆβα§αααααα’αΆαβααααα
α’αα‘α·α
ααααΌαα·α Kobo α’αααααΉαααααΌαβααΆαααβα―αααΆα α αΎαβαααααααΆαα
βα§αααααβααααα’αααα ααΌαα’αα»ααααααΆαβααΆαααααΆααααα’α·αααααααααααααααααα½α ααΎααααΈαααααα―αααΆαβαα
α§αααααα’αΆαααααα
βα’αα‘α·α
ααααΌαα·ααααααααΆααα
