International Politics and Performance: Critical Aesthetics and Creative Practice
About this ebook
Exploring a wide range of issues including rioting, youth-driven protests, border security practices and the significance of cultural awareness in war, this text provides an accessible and cutting edge survey of the intersection of international politics and performance examining issues surrounding the politics of appearance, image, event and place; and discusses the development and deployment of innovative critical and creative research methods, from auto-ethnography to site-specific theatre-making, from philosophical aesthetics to the aesthetic thought of new securities scenario-planning.
The book’s focus throughout is on the materiality of performance practices—on the politics of making, spectating, and participating in a variety of modes as political actors and audiences—whilst also seeking to explicate the performative dynamics of creative and critical thinking. Structured thematically and framed by a detailed introduction and conclusion, the focus is on producing a dialogue between contributors and providing an essential reference point in this developing field.
This work is essential reading for students of politics and performance and will be of great interest to students and scholars of IR, performance studies and cultural studies.
About the author
Jenny Edkins is Professor of International Politics at Aberystwyth University. Prior to joining the Department as Leverhulme Special Research Fellow in 1997, she taught at the University of Manchester and the Open University. She co-edits the successful textbook Global Politics: A New Introduction, now moving into its second edition, and has published six other books, including most recently: Missing Persons, Missing Politics (Cornell, 2011); Trauma and the Memory of Politics (Cambridge, 2003) and Whose Hunger? Concepts of Famine, Practices of Aid (Minnesota, 2000).
Adrian Kear is Professor of Theatre and Performance at Aberystwyth’s Department of Theatre, Film and Television Studies. His publications include Theatre and Event: Staging the European Century, London: Palgrave, forthcoming 2013; On Appearance (with Richard Gough), London and New York: Routledge, 2008; Psychoanalysis and Performance (with Patrick Campbell), London and New York: Routledge, 2001; Mourning Diana: Nation, Culture and the Performance of Grief (with Deborah Lynn Steinberg), London and New York: Routledge, 1999.
