Iphigenia in Splott
Okt 2022 · Bloomsbury Publishing
I-Ebook
88
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What is gonna happen, when we can't take it anymore?
Stumbling down the street drunk at 11.30am Effie is the kind of girl you avoid making eye contact with. You think you know her, but maybe you don't know half of it.
Effie's life is a mess of drink, drugs and drama every night, and a hangover worse than death the next day – till one night gives her the chance to be something more.
Gary Owen's critically acclaimed and powerful monodrama inspired by the Greek myth opens at the Lyric after a smash-hit season at the Sherman Theatre in Wales and later the National Theatre, winning the Best New Play at the UK Theatre Awards 2015.
This edition was published to coincide with the production at the Lyric Hammersmith, London, in September 2022.
Stumbling down the street drunk at 11.30am Effie is the kind of girl you avoid making eye contact with. You think you know her, but maybe you don't know half of it.
Effie's life is a mess of drink, drugs and drama every night, and a hangover worse than death the next day – till one night gives her the chance to be something more.
Gary Owen's critically acclaimed and powerful monodrama inspired by the Greek myth opens at the Lyric after a smash-hit season at the Sherman Theatre in Wales and later the National Theatre, winning the Best New Play at the UK Theatre Awards 2015.
This edition was published to coincide with the production at the Lyric Hammersmith, London, in September 2022.
Mayelana nomlobi
Welsh playwright Gary Owen is a past winner of the Meyer Whitworth, George Devine and Pearson best play awards. In June 2015 he made his Royal Court debut with Violence and Son. His other plays include Love Steals Us from Loneliness, Crazy Gary's Mobile Disco, The Shadow of a Boy, The Drowned World (winner Fringe first), Ghost City, Cancer Time, SK8, Big Hopes, In the Pipeline, Blackthorn, Mary Twice, Amgen, Broken, Bulletproof, The Ugly Truth and Free Folk. His adaptations include Spring Awakening and Ring, Ring, a new version of La Ronde for the Royal Welsh College of Music and Drama and Dicken's A Christmas Carol for Sherman Cymru. He is a Creative Associate at Watford Palace Theatre, where his plays We that Are Left, Mrs Reynolds and the Ruffian, and Perfect Match have been produced.
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