Um þessa rafbók
'What gets me through is knowing I took this pain, and saved all of you from suffering the same.'
Stumbling down Clifton Street at 11:30 a.m. drunk, Effie is the kind of girl you'd avoid eye contact with, silently passing judgement. We think we know her, but we don't know the half of it. Effie's life spirals through a mess of drink, drugs and drama every night,and a hangover worse than death the next day - till one night gives her the chance to be something more.
This powerful new adaptation of the enduring Greek myth drives home the high price people pay for society's shortcomings.
Winner of Best New Play at the UK Theatre Awards 2015
Stumbling down Clifton Street at 11:30 a.m. drunk, Effie is the kind of girl you'd avoid eye contact with, silently passing judgement. We think we know her, but we don't know the half of it. Effie's life spirals through a mess of drink, drugs and drama every night,and a hangover worse than death the next day - till one night gives her the chance to be something more.
This powerful new adaptation of the enduring Greek myth drives home the high price people pay for society's shortcomings.
Winner of Best New Play at the UK Theatre Awards 2015
Um höfundinn
Welsh playwright Gary Owen is a past winner of the Meyer Whitworth, George Devine and Pearson best play awards. In June 2015 he made his Royal Court debut with Violence and Son. His other plays include Love Steals Us from Loneliness, Crazy Gary's Mobile Disco, The Shadow of a Boy, The Drowned World (winner Fringe first), Ghost City, Cancer Time, SK8, Big Hopes, In the Pipeline, Blackthorn, Mary Twice, Amgen, Broken, Bulletproof, The Ugly Truth and Free Folk. His adaptations include Spring Awakening and Ring, Ring, a new version of La Ronde for the Royal Welsh College of Music and Drama and Dicken's A Christmas Carol for Sherman Cymru. He is a Creative Associate at Watford Palace Theatre, where his plays We that Are Left, Mrs Reynolds and the Ruffian, and Perfect Match have been produced.
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