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The book challenges the conventional narrative that writing was solely introduced to Africa through external contact.
It puts forward the argument that the exclusion of Nsibidi and similar forms from definitions of 'true writing' is Eurocentric.
The book systematically investigates the historical and cultural contexts surrounding Nsibidi and related symbols.
It examines evidence of Nsibidi's presence and adaptation within Igbo communities, analyzing its usage in ritual objects, textiles, and body art.
For instance, the script's evolution and usage within secret societies like the Ekpe is highlighted.
Furthermore, it delves into the documentation of other indigenous writing systems, connecting linguistics, historical research, and anthropological insights.
Ultimately, Igbo Script Usage broadens our understanding of pre-colonial Nigerian history and the broader history of writing.
The book's approach combines visual analysis, comparative linguistics, and oral history, drawing from ethnographic studies, colonial archives, and analyses of artifacts.
It progresses from introducing Nsibidi's origins to exploring its presence within Igbo communities and culminates in a discussion of its implications for understanding pre-colonial history, offering practical discussions on how the script might be revitalized.
