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Rating: 4.235294342041016 (17 reviews)

Hyun Jin-geon

ធ្នូ 2013 · 20th Century Korean Literature សៀវភៅទី 6 · Literature Translation Institute of Korea

4.2

ការវាយតម្លៃ 17

សៀវភៅអេឡិចត្រូនិច

ទំព័រ

ការវាយតម្លៃ និងមតិវាយតម្លៃមិនត្រូវបានផ្ទៀងផ្ទាត់ទេ ស្វែងយល់បន្ថែម

អំពីសៀវភៅអេឡិចត្រូនិកនេះ

“Home,” which came out in 1926, is a concise portrait of colonial Korea. In approximately 2000 words, this short work summarizes Korea of the 1920s, when the Japanese Empire’s colonial exploitation of the peninsula had reached its full stride, by focusing on one unique character. The narrator is seated in a trsain car with a man dressed in an unusual set of clothes and in short order learns that he had left his home village for Manchuria and then moved on to Japan before returning to Korea to search for work in Seoul. His impoverishment and misery serve as a dramatic allegory for the impact of Japanese colonialism on Korean life.

ការដាក់ផ្កាយ និងមតិវាយតម្លៃ

4.2

ការវាយតម្លៃ 17

អំពីអ្នកនិពន្ធ

Hyun Jin-geon (1900-1943), pen name Bing-heo, was born in Daegu in 1900. He debuted as a writer in 1920 with the publication of his short story “Sacrificial Flowers” (Huisaenghwa) in the literary journal Genesis (Gaebyeok).

In the 1920s, Hyun participated in the New Literature Movement as a member of the literary coterie journal White Tide (Baekjo), with Hong Sayong, Yi Sanghwa, Na Dohyang, Park Jonghwa, and others. He earned critical recognition for his short story “Poor Man’s Wife” (Bincheo), published in Genesis in 1921, and established his reputation as a major realist writer, ranked alongside Yom Sang-seop, with his publications of “The Corrupt” (Tarakja) and “A Lucky Day” (Unsu Joeun Nal) in White Tide. Some have described Hyun as one of the pioneers of modern Korean short fiction, along with Kim Dong-in.

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