Handwriting
2011. g. sept. · Random House
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80
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Par šo e-grāmatu
The poems in Handwriting are memories of Sri Lanka: the rituals and traditions, history and geography, the smells and tastes and colours of his first home. Here are sunless forests, cattle-bells, stilt-walkers 'with the movement of prehistoric birds'; a Buddha buried 'so roots/like fingers of a blind monk/spread for two hundred years over his face'; 'saffron and panic seed, lotus flowers, sandalwood; a lover, who lay her fearless heart/light as a barn owl/against him all night'.
Handwriting is an elegy for lost childhood, for a culture and language lost to the turmoil of history, but it is also a glimpse of the source of the writer's delicate, erotic, mysterious imagination. By focussing on writing frankly about beautiful things, Ondaatje takes the poems beyond narrative to these simple, deeply sensual images - given to us in a language that is pared, cursive and exquisite.
Handwriting is an elegy for lost childhood, for a culture and language lost to the turmoil of history, but it is also a glimpse of the source of the writer's delicate, erotic, mysterious imagination. By focussing on writing frankly about beautiful things, Ondaatje takes the poems beyond narrative to these simple, deeply sensual images - given to us in a language that is pared, cursive and exquisite.
Par autoru
Michael Ondaatje is the author of seven novels; a memoir, Running in the Family; a non-fiction book on film, The Conversations: Walter Murch and the Art of Editing Film; and several books of poetry, including The Cinnamon Peeler and Handwriting. The English Patient received the Booker Prize in 1992 and the Golden Man Booker in 2018, and was made into a film directed by Anthony Minghella. Anil’s Ghost was awarded the Irish Times International Fiction Prize, the Giller Prize and the Prix Médicis. Born in Sri Lanka, Michael Ondaatje lives in Toronto.
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