==TABLE OF CONTENTS==
FOREWORDS
THE FUNDAMENTALS
Chapter ONE : Building Blocks for Natural Scale
âēDistribution of Musical Note
âēBuilding Block Pattern
âē3 Steps to Memorization
âēSwitching to Numbers of Numbered Musical Notation
Chapter TWO : Position Graphic of Octave
âēRules
Chapter THREE : Other Relevant Scales Graphics
âēPentatonic Scale Graphic
âēHarmonic Minor Scale Graphic
âēMelodic /Jazz Minor Scale Graphic
âēModal Scale Graphic
Chapter FOUR : âOne String Three Notesâ Scale Pattern Graphic
âēCirculation Graphic of Natural Scale
âēCirculation Graphic of Harmonic Scales
âēCirculation Graphic of Melodic/Jazz Minor Scales
THE PRACTICE
Chapter FIVE : Building Blocks Moved to Fretboard
âēãPractice Method 1ãIndividual Practices on the Fretboard
âēãPractice Method 2ãDuo Building Block Set Pattern Practice
âēãPractice Method 3ãChord-Matching Practices
âēãPractice Method 4ãPlaying the same melody on different fret positions
Chapter SIX : Horizontal Shift of Building Blocks
âēHorizontal Moving Practices
âēHorizontal Moving and Natural Musical Scales
Chapter SEVEN : Building Blocks which Combine Other Graphics
âēCombining âOne String Three Notesâ Circulation Graphic
âēCombine Octave Interval Graphic
THE Applications
Chapter EIGHT : Uses of Interval and Double-Stop
âēPerfect Fifth & Perfect Fourth
âēMajor / Minor Third
âēMajor / Minor Sixth
âēPerfect Eighth
âēMajor / Minor Seventh
âēClever Uses for Each Interval
Chapter NINE : Performances of Chord and Fill-Ins
âēInversion Chord
âēUsing Inversions to Replace Original Chords
âēChordïžFill-in Performance
Chapter TEN : Arpeggios which Add Melodic Tastes
âēMajor Third Chord Arpeggios
âēMinor Third Chord Arpeggios
âēArpeggios and Scale Building Block Graphic
Chapter ELEVEN : Trainings on Key Mode
âēKey Mode and Chords
âēFinding Notes with Differences
âēKey Modes and Chord Progression
Conclusion : How to Practice
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