Fela: Kalakuta Notes

┬╖ Wesleyan University Press
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тАЬA vibrant and multifaceted portrait of Afrobeat legend Fela Anikulapo-Kuti . . . and his role as a giant of modern African music.тАЭ тАФMichael E. Veal, author of Dub

Fela: Kalakuta Notes is an evocative account of Fela KutiтАФthe Afrobeat superstar who took African music into the arena of direct action. With his antiestablishment songs, he dedicated himself to Pan-Africanism and the down-trodden Nigerian masses, or тАЬsufferheads.тАЭ In the 1970s, the British/Ghanaian musician and author John Collins met and worked with Fela in Ghana and Nigeria. Kalakuta Notes includes a diary that Collins kept in 1977 when he acted in FelaтАЩs autobiographical film, Black President. The book offers revealing interviews with Fela by the author, as well as with band members, friends, and colleagues.

For this second edition, Collins has expanded the original introduction by providing needed context for popular music in Africa in the 1960s and the influences on the artistтАЩs music and politics. In a new concluding chapter, Collins reflects on the legacy of Fela: the spread of Afrobeat, FelaтАЩs musical children, FelaтАЩs Shrine and Kalakuta House, and the annual Felabration. As the dust settles over FelaтАЩs fiery, creative, and controversial career, his Afrobeat groove and political message live on in Kalakuta Notes. A new foreword by Banning Eyre, an up-to-date discography by Ronnie Graham, a timeline, historical photographs, and snapshots by the author are also featured.

тАЬAs multilayered and significant a document as the singerтАЩs musical contributions. It is a crucial testament about one of the worldтАЩs most outspoken and radical artists, and gives deep insight into his life, music and struggles against oppression and mediocrity.тАЭ тАФJournal of World Popular Music

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JOHN COLLINS moved to Ghana from Britain in 1952. He has been actively involved in the wider West African music scene since 1969, as a musician, bandleader, record producer and engineer, music union executive, writer, and archivist. He is currently a professor of popular music at the University of Ghana in Legon. BANNING EYRE is the author of In Griot Time and a forthcoming book on the Zimbabwean musician Thomas Mapfumo. He is senior editor for Afropop.org.

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