Fallout
mai 2014 · Random House
3,7star
3 arvustustreport
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The intoxicating new novel from the number one bestselling author of The Outcast
London 1972. Luke is dazzled by the city. It seems a world away from the provincial town he has fled along with his own troubled past, and his new life is unrecognisable – one of friendships forged in pubs, candlelit power cuts, and smoky late-night parties.
When Nina, a fragile and damaged actress, strays into his path, Luke is immediately drawn to her and the delicate balance of his new life is threatened. Unable to stay away from her, Luke is torn between loyalty, desire and his own painful past, until everything he values, even the promise of the future, is in danger...
Longlisted for the IMPAC Prize
London 1972. Luke is dazzled by the city. It seems a world away from the provincial town he has fled along with his own troubled past, and his new life is unrecognisable – one of friendships forged in pubs, candlelit power cuts, and smoky late-night parties.
When Nina, a fragile and damaged actress, strays into his path, Luke is immediately drawn to her and the delicate balance of his new life is threatened. Unable to stay away from her, Luke is torn between loyalty, desire and his own painful past, until everything he values, even the promise of the future, is in danger...
Longlisted for the IMPAC Prize
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Sadie Jones is a novelist and screenwriter who was born and brought up in London. Her first novel, The Outcast (‘Devastatingly good’, Daily Mail) won the Costa First Novel Award and was shortlisted for the Orange Prize. It was also a Richard and Judy Summer Reads number one bestseller and adapted for BBC Television. Her second novel, Small Wars (‘Outstanding’, The Times; ‘One of the best books about the English at war ever’, Joel Morris), was published in 2009, and longlisted for the Orange Prize. Her third, in 2012, was The Uninvited Guests (‘A shimmering comedy of manners and disturbing commentary on class... a brilliant novel’, Ann Patchett) followed by Fallout in 2014 (‘Intoxicating and immersive’, The Sunday Times).
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