Soccer in Sun and Shadow
Oct 2022 · Hachette UK
Ebook
320
Pages
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About this ebook
One of the greatest, magical, and most lyrical accounts of the beautiful game
In this witty and rebellious history of world soccer, award-winning writer Eduardo Galeano searches for the styles of play, players, and goals that express the unique personality of certain times and places. In Soccer in Sun and Shadow, Galeano takes us to ancient China, where engravings from the Ming period show a ball that could have been designed by Adidas to Victorian England, where gentlemen codified the rules that we still play by today and to Latin America, where the “crazy English” spread the game only to find it creolized by the locals.
All the greats—Pelé, Di Stéfano, Cruyff, Eusébio, Puskás, Gullit, Baggio, Beckenbauer— have joyous cameos in this book. yet soccer, Galeano cautions, “is a pleasure that hurts.” Thus there is also heartbreak and madness. Galeano tells of the suicide of Uruguayan player Abdón Porte, who shot himself in the center circle of the Nacional's stadium; of the Argentine manager who wouldn't let his team eat chicken because it would bring bad luck; and of scandal-riven Diego Maradona whose real crime, Galeano suggests, was always “the sin of being the best.”
Soccer is a game that bureaucrats try to dull and the powerful try to manipulate, but it retains its magic because it remains a bewitching game—“a feast for the eyes ... and a joy for the body that plays it”—exquisitely rendered in the magical stories of Soccer in Sun and Shadow.
In this witty and rebellious history of world soccer, award-winning writer Eduardo Galeano searches for the styles of play, players, and goals that express the unique personality of certain times and places. In Soccer in Sun and Shadow, Galeano takes us to ancient China, where engravings from the Ming period show a ball that could have been designed by Adidas to Victorian England, where gentlemen codified the rules that we still play by today and to Latin America, where the “crazy English” spread the game only to find it creolized by the locals.
All the greats—Pelé, Di Stéfano, Cruyff, Eusébio, Puskás, Gullit, Baggio, Beckenbauer— have joyous cameos in this book. yet soccer, Galeano cautions, “is a pleasure that hurts.” Thus there is also heartbreak and madness. Galeano tells of the suicide of Uruguayan player Abdón Porte, who shot himself in the center circle of the Nacional's stadium; of the Argentine manager who wouldn't let his team eat chicken because it would bring bad luck; and of scandal-riven Diego Maradona whose real crime, Galeano suggests, was always “the sin of being the best.”
Soccer is a game that bureaucrats try to dull and the powerful try to manipulate, but it retains its magic because it remains a bewitching game—“a feast for the eyes ... and a joy for the body that plays it”—exquisitely rendered in the magical stories of Soccer in Sun and Shadow.
About the author
Eduardo Galeano (1940-2015) was one of Latin America's most distinguished writers. A Uruguayan journalist, writer, and novelist, he was considered, among other things, "a literary giant of the Latin American left" and "global soccer's preeminent man of letters." He is the author of the three-volume Memory of Fire, Open Veins of Latin America, Soccer in Sun and Shadow, The Book of Embraces, Walking Words, Upside Down, and Voices in Time. Born in Montevideo in 1940, he lived in exile in Argentina and Spain for years before returning to Uruguay.
His work has been translated into twenty-eight languages. He is the recipient of many international prizes, including the first Lannan Prize for Cultural Freedom, the Casa de las Americas Prize, and the First Distinguished Citizen of the region by the countries of Mercosur. Galeano once described himself as "a writer obsessed with remembering, with remembering the past of America and above all that of Latin America, intimate land condemned to amnesia." Isabel Allende, who said her copy of Galeano's book was one of the few items with which she fled Chile in 1973 after the military coup of Augusto Pinochet, called Open Veins of Latin America "a mixture of meticulous detail, political conviction, poetic flair, and good storytelling."
His work has been translated into twenty-eight languages. He is the recipient of many international prizes, including the first Lannan Prize for Cultural Freedom, the Casa de las Americas Prize, and the First Distinguished Citizen of the region by the countries of Mercosur. Galeano once described himself as "a writer obsessed with remembering, with remembering the past of America and above all that of Latin America, intimate land condemned to amnesia." Isabel Allende, who said her copy of Galeano's book was one of the few items with which she fled Chile in 1973 after the military coup of Augusto Pinochet, called Open Veins of Latin America "a mixture of meticulous detail, political conviction, poetic flair, and good storytelling."
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