Edinburgh Dictionary of Modernism

Vassiliki Kolocotroni

ធ្នូ 2017 · Edinburgh University Press

សៀវភៅអេឡិចត្រូនិច

432

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អំពីសៀវភៅអេឡិចត្រូនិកនេះ

This Dictionary is the first to gather, delineate and make accessible the literary, artistic, critical, cultural and political practices that we associate with Modernism. It provides a wide ranging resource both to the canon of 'High Modernism' and to current theoretical perspectives that have contributed to the renewed interest in Modernism and have lent it renewed range and critical rigour in the early twenty-first century. A team of current experts in the field provide clear and fully contextualised definitions of key terms, concepts, texts, movements, practitioners, as well as influential critical views and legacies. The entries cover Anglophone Modernism as well as giving full attention to significant figures, ideas and movements in European, North and South American culture and to influences from non-Western cultures. The Dictionary can be used either as a companion to the editors' successful Modernism: An Anthology of Sources and Documents or as a stand alone reference work and provides both new researchers and experienced scholars with a thorough and up-to-date guide to this vibrant field.

អំពីអ្នកនិពន្ធ

Vassiliki Kolocotroni is Senior Lecturer in English Literature at the University of Glasgow. She is an expert in international modernism and the avant-garde, with special interests in theory, surrealism, film, travel writing and the modernist reception of classical and modern Greece. Olga Taxidou is Professor Emerita of Drama and Performance Studies at the University of Edinburgh, and Visiting Professor at New York University. She is the author of The Mask: a Periodical Performance by Edward Gordon Craig (1998, 2001), Tragedy, Modernity and Mourning (2004), Modernism and Performance: Jarry to Brecht (2007) and Greek Tragedy and Modernist Performance: Hellenism as Theatricality (2021). She is co-editor of Modernism: An Anthology of Sources and Documents (1998), Post-War Cinema and Modernity: a Film Reader (2000) and The Edinburgh Dictionary of Modernism (2018).

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