Dreams of a Ghost-Seer

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A modern translation of Immanuel Kant's "Dreams of a Ghost-Seer Explained by Dreams of Metaphysics" from the original German manuscript first published in 1766. The original German title is "Träume eines Geistersehers, erläutert durch Träume der Metaphysik". One of his most fascinating manuscripts, Kant’s 1766 “Träume eines Geistersehers, erläutert durch Träume der Metaphysik” is directed to the charlatan metaphysicians of his day, using Swedenborg's claims of spirit-visions as a central example. It is a cynical, scathing, and mocking criticism of Swedenborgian metaphysics, while simultaneously undermining the faulty Epistemology of Leibniz. Kant addresses “Mr. Schwedenberg” directly analyzes his works methodically. Schopenhauer and the Zurich Psychology circles were heavily influenced by German Transcendentalism broadly and specifically this work as well. Kant speaks of Archetypes guiding the pneumatic world. He is sketching out a response to the Aristotelian metaphysics of Hume while upholding the Scientific advances of the Enlightenment. He uses Occam’s Razor against Swedenborg, using reason to deconstruct his claims. But at the same time, he pushes back against a pure Newtonian mechanical, deterministic worldview: “For in the relations of cause and effect, of substance and action, philosophy serves at first to resolve the intricate phenomena and to bring such to simpler conceptions.” Schopenhauer wrote a much longer work modeled after this essay titled "Attempt on Spirit-Seeing and what is connected with it" and Jung's Synchronicity borrows heavily from this work.

This Reader's Editon edition contains an Afterword by the translator, a timeline of Kant's life and works, and a helpful index of Kant's key concepts and intellectual rivals. This translation is designed for readability, rendering Kant's enigmatic German into the simplest equivalent possible, and removing the academic footnotes to make this critically important historical text as accessible as possible to the modern reader.

This work examined the spiritualist claims of Emanuel Swedenborg through a biting satire that has mystified readers since its publication, generating two opposed interpretations: most scholars read it as a skeptical attack on mysticism and dogmatic metaphysics, while others argue it reveals Kant's profound though concealed debt to Swedenborg's ideas behind a mask of irony. Published anonymously after Kant purchased and read Swedenborg's eight-volume Arcana Coelestia, which he described as "stuffed full of nonsense," the book used Swedenborg as a whipping post to critique rationalist metaphysicians like Wolff and Crusius, comparing their speculative "dream castles" to the visions of spirit-seers and suggesting both build elaborate systems without empirical foundation. Kant's attitude was deeply ambivalent: in letters he expressed "a slight inclination" toward belief in Swedenborg's paranormal accounts and admitted difficulty devising "the right style" to avoid exposing himself to derision, while in the text itself he called spirit-seers "candidates for the asylum" yet described certain Swedenborgian doctrines about humanity's dual nature and belonging to both material and spiritual worlds as "sublime." The treatise's two-part structure placed criticisms of Swedenborg in the center while subtly qualifying them in the margins, constructing a speculative reconstruction of a cosmos divided into material and spiritual realms before subjecting this very metaphysics to parody, marking a turning point in Kant's disillusionment with dogmatic metaphysics and his movement toward the critical philosophy that would restrict knowledge claims about the supersensible.

Om författaren

Immanuel Kant (1724-1804) was a German philosopher whose work in epistemology, ethics, and metaphysics shaped the course of Western philosophy. In his landmark work, Critique of Pure Reason, Kant proposed "transcendental idealism," asserting that human knowledge is limited by the mind's structures, which mediate our understanding of reality. This "Copernican revolution" in philosophy argued that we can only know phenomena (appearances) and not noumena (things-in-themselves). In Critique of Practical Reason, Kant introduced the "categorical imperative," a foundational principle in ethics that calls for actions to be universally applicable. Kant's focus on autonomy, moral duty, and rationality laid the groundwork for modern ethical and political thought, and his ideas continue to influence fields such as philosophy, law, and cognitive science, positioning him as a central figure in the Enlightenment.

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