Digital Film-making Revised Edition
2/2014 · Faber & Faber
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Táto e‑kniha
In this indispensable guide to digital film-making, leading film-maker Mike Figgis offers the reader a step-by-step tutorial in how to use digital technology so as to get the best from it.
Mike Figgis, with experience from films such as Miss Julie and Leaving Las Vegas - for which he received two Oscar nominations - is an authoritative and insightful guide through the details of film-making. He outlines the equipment and its uses, and provides an authoritative guide to the shooting process - from working with actors to lighting, framing, and camera movement. He further dispenses wisdom on the editing process and the use of sound and music, all the while establishing a sound aesthetic basis for the digital format.
This handbook is essential whether your goal is to make no-budget movies, or simply to put your video camera to more use than just holidays and weddings.
Mike Figgis, with experience from films such as Miss Julie and Leaving Las Vegas - for which he received two Oscar nominations - is an authoritative and insightful guide through the details of film-making. He outlines the equipment and its uses, and provides an authoritative guide to the shooting process - from working with actors to lighting, framing, and camera movement. He further dispenses wisdom on the editing process and the use of sound and music, all the while establishing a sound aesthetic basis for the digital format.
This handbook is essential whether your goal is to make no-budget movies, or simply to put your video camera to more use than just holidays and weddings.
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O autorovi
Mike Figgis is the renowned film-maker and musician whose career began with the People Show in the 1970s. His film credits include Stormy Monday, Internal Affairs, Miss Julie, Timecode and Hotel. He received Oscar nominations for Best Director and Best Screenplay for Leaving Las Vegas. His photographs have been displayed at galleries throughout the world, and he has created installations for gallery spaces.
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