The contributors to the collection deploy differentiated modes of cultural legal studies practice, adopting diverse philosophical, disciplinary, methodological and theoretical approaches and subjects of examination. The collection draws on this mix of diversity and homogeneity to thread together its overarching theme: that we must take seriously an interrogation of law as culture and in its cultural form. That is, it does not ask how a text ‘represents’ law; but rather how the representational nature of both law and culture intersect so that the ‘juridical’ become visible in various cultural manifestations. In short, it asks: how law’s popular cultures actively effect the metamorphosis of law.
Cassandra Sharp's research draws on a range of disciplinary methods to empirically explore individual responses to law. Her focus is the use of popular stories by individuals in challenging and constructing legal meaning and identity. She is a member of the Legal Intersections Research Centre (LIRC) at the University of Wollongong, Australia.
Marett Leiboff
is a cultural legal studies and law and humanities scholar who is working on a monograph that explores theatrical jurisprudence. Her scholarship is grounded in her pre-law background in academic theatre studies. Marett is a member of the Legal Intersections Research Centre, University of Wollongong, Australia.