Brothers and Sinners
Speaking Volumes
Rafbók
352
Síður
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Um þessa rafbók
FLESH AND BLOOD
Michael and Jack Fitzroy. They were more than brothers. They were partners in a Boston detective agency that they hoped to turn into something very big in the post-World War II world of big business, big-time politics, and big money. They shared something else as well. A passion for Miriam, Michael's beautiful and sexually dangerous wife and daughter of Boston's legendary political kingmaker, Sugar Me Kane Michael couldn't say no to her. Jack couldn't keep his hands off her. And both were drawn by her into a web of shocking family guilt, savage violence, and brutal betrayal—in a town and time where the name of the game was cheating, and blood ties could strangle shame...
Michael and Jack Fitzroy. They were more than brothers. They were partners in a Boston detective agency that they hoped to turn into something very big in the post-World War II world of big business, big-time politics, and big money. They shared something else as well. A passion for Miriam, Michael's beautiful and sexually dangerous wife and daughter of Boston's legendary political kingmaker, Sugar Me Kane Michael couldn't say no to her. Jack couldn't keep his hands off her. And both were drawn by her into a web of shocking family guilt, savage violence, and brutal betrayal—in a town and time where the name of the game was cheating, and blood ties could strangle shame...
Um höfundinn
SHAMUS AWARD-winning author Rodman Philbrick grew up on the New England coast, where he worked as a longshoreman and boat builder. For many years he wrote thrillers, mysteries and detective novels. The Private Eye Writers of America nominated two of his T.D. Stash series as best detective novel, and then selected Philbrick's Brothers & Sinners as Best Novel in 1993. Philbrick’s Freak the Mighty was the basis of a Golden Globe-nominated Sharon Stone movie titled simply The Mighty, released in 1998. Praise for Rodman Philbrick “This tale is a page-turner.” —Publishers Weekly (Hunger) "The most striking, gritty arrival of a handicapped sleuth since the appearance of Jack Livingston's deaf private-eye in A Piece of Silence." —Kirkus Reviews (Shadow Kills)
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