100 Essential Indian Films

ยท Bloomsbury Publishing USA
แžŸแŸ€แžœแž—แŸ…โ€‹แžขแŸแžกแžทแž…แžแŸ’แžšแžผแž“แžทแž…
288
แž‘แŸ†แž–แŸแžš
แž€แžถแžšแžœแžถแž™แžแž˜แŸ’แž›แŸƒ แž“แžทแž„แž˜แžแžทแžœแžถแž™แžแž˜แŸ’แž›แŸƒแž˜แžทแž“แžแŸ’แžšแžผแžœแž”แžถแž“แž•แŸ’แž‘แŸ€แž„แž•แŸ’แž‘แžถแžแŸ‹แž‘แŸ แžŸแŸ’แžœแŸ‚แž„แž™แž›แŸ‹แž”แž“แŸ’แžแŸ‚แž˜

แžขแŸ†แž–แžธแžŸแŸ€แžœแž—แŸ…โ€‹แžขแŸแžกแžทแž…แžแŸ’แžšแžผแž“แžทแž€แž“แŸแŸ‡

Although the motion picture industry in India is one of the oldest and largest in the worldโ€”with literally thousands of productions released each yearโ€”films from that country have not been as well received as those from other countries. Known for their impressive musical numbers, melodramatic plots, and nationally beloved stars, Indian films have long been ignored by the West but are now at the forefront of cinema studies. With the prolific number of films available, it can be difficult to know what to watch. In 100 Essential Indian Films, Rohit K. Dasgupta and Sangeeta Datta identify and discuss significant works produced since the 1930s. Examining the output of different regional film industries throughout India, this volume offers a balance of box-office blockbusters, critical successes, and less-recognized cult classics. From early films by Satyajit Ray to contemporary classics such as Salaam Bombay and Lagaan, each entry includes comprehensive details about the film and situates the work in the context and history of the Indian canon.In addition to these notable productions, this book also examines key film directors and the work of major film stars in the industry. While many studies of Indian films focus on a single languageโ€™s contributions, this encyclopedia offers a comprehensive guide to productions from across the country in various languages, including Hindi, Bengali, Tamil, Malayalam, Assamese, Punjabi, Marathi, and English. 100 Essential Indian Films is an engaging volume that will appeal to both cinema scholars and those looking for an introduction to a vital component of world cinema.

แžขแŸ†แž–แžธโ€‹แžขแŸ’แž“แž€แž“แžทแž–แž“แŸ’แž’

Rohit K. Dasgupta is program director and lecturer in global communications and development at Loughborough University. He is the author of Digital Queer Cultures in India (2017) and editor of Queering Digital India (2018) and Friendship as Social Justice Activism (2018).

Sangeeta Datta is a filmmaker, educator, and cultural commentator. She is the author of Shyam Benegal (2002) and Tagore: At Home in the World (2016) and coeditor of Rituparno Ghosh: Cinema, Gender and Art (2016). Datta is also the director of Baithak Arts, a not-for-profit company which promotes and celebrates the rich legacy of South Asian arts.

แžœแžถแž™แžแž˜แŸ’แž›แŸƒแžŸแŸ€แžœแž—แŸ…โ€‹แžขแŸแžกแžทแž…แžแŸ’แžšแžผแž“แžทแž€แž“แŸแŸ‡

แž”แŸ’แžšแžถแž”แŸ‹แž™แžพแž„แžขแŸ†แž–แžธแž€แžถแžšแž™แž›แŸ‹แžƒแžพแž‰แžšแž”แžŸแŸ‹แžขแŸ’แž“แž€แŸ”

แžขแžถแž“โ€‹แž–แŸแžแŸŒแž˜แžถแž“

แž‘แžผแžšแžŸแž–แŸ’แž‘แž†แŸ’แž›แžถแžแžœแŸƒ แž“แžทแž„โ€‹แžแŸแž”แŸ’แž›แŸแž
แžŠแŸ†แžกแžพแž„แž€แž˜แŸ’แž˜แžœแžทแž’แžธ Google Play Books แžŸแž˜แŸ’แžšแžถแž”แŸ‹ Android แž“แžทแž„ iPad/iPhone แŸ” แžœแžถโ€‹แž’แŸ’แžœแžพแžŸแž˜แž€แžถแž›แž€แž˜แŸ’แž˜โ€‹แžŠแŸ„แž™แžŸแŸ’แžœแŸแž™แž”แŸ’แžšแžœแžแŸ’แžแžทแž‡แžถแž˜แžฝแž™โ€‹แž‚แžŽแž“แžธโ€‹แžšแž”แžŸแŸ‹แžขแŸ’แž“แž€โ€‹ แž“แžทแž„โ€‹แžขแž“แžปแž‰แŸ’แž‰แžถแžแžฑแŸ’แž™โ€‹แžขแŸ’แž“แž€แžขแžถแž“แž–แŸแž›โ€‹แž˜แžถแž“แžขแŸŠแžธแž“แž’แžบแžŽแžทแž แžฌแž‚แŸ’แž˜แžถแž“โ€‹แžขแŸŠแžธแž“แž’แžบแžŽแžทแžโ€‹แž“แŸ…แž‚แŸ’แžšแž”แŸ‹แž‘แžธแž€แž“แŸ’แž›แŸ‚แž„แŸ”
แž€แžปแŸ†แž–แŸ’แž™แžผแž‘แŸแžšโ€‹แž™แžฝแžšแžŠแŸƒ แž“แžทแž„แž€แžปแŸ†แž–แŸ’แž™แžผแž‘แŸแžš
แžขแŸ’แž“แž€แžขแžถแž…แžŸแŸ’แžŠแžถแž”แŸ‹แžŸแŸ€แžœแž—แŸ…แž‡แžถแžŸแŸ†แžกแŸแž„แžŠแŸ‚แž›แž”แžถแž“แž‘แžทแž‰แž“แŸ…แž€แŸ’แž“แžปแž„ Google Play แžŠแŸ„แž™แž”แŸ’แžšแžพแž€แž˜แŸ’แž˜แžœแžทแž’แžธแžšแžปแž€แžšแž€แžแžถแž˜แžขแŸŠแžธแž“แž’แžบแžŽแžทแžแž€แŸ’แž“แžปแž„แž€แžปแŸ†แž–แŸ’แž™แžผแž‘แŸแžšแžšแž”แžŸแŸ‹แžขแŸ’แž“แž€แŸ”
eReaders แž“แžทแž„โ€‹แžงแž”แž€แžšแžŽแŸโ€‹แž•แŸ’แžŸแŸแž„โ€‹แž‘แŸ€แž
แžŠแžพแž˜แŸ’แž”แžธแžขแžถแž“แž“แŸ…แž›แžพโ€‹แžงแž”แž€แžšแžŽแŸ e-ink แžŠแžผแž…แž‡แžถโ€‹แžงแž”แž€แžšแžŽแŸแžขแžถแž“โ€‹แžŸแŸ€แžœแž—แŸ…แžขแŸแžกแžทแž…แžแŸ’แžšแžผแž“แžทแž€ Kobo แžขแŸ’แž“แž€แž“แžนแž„แžแŸ’แžšแžผแžœโ€‹แž‘แžถแž‰แž™แž€โ€‹แžฏแž€แžŸแžถแžš แž แžพแž™โ€‹แž•แŸ’แž‘แŸแžšแžœแžถแž‘แŸ…โ€‹แžงแž”แž€แžšแžŽแŸโ€‹แžšแž”แžŸแŸ‹แžขแŸ’แž“แž€แŸ” แžŸแžผแž˜แžขแž“แžปแžœแžแŸ’แžแžแžถแž˜โ€‹แž€แžถแžšแžŽแŸ‚แž“แžถแŸ†แž›แž˜แŸ’แžขแžทแžแžšแž”แžŸแŸ‹แž˜แž‡แŸ’แžˆแž˜แžŽแŸ’แžŒแž›แž‡แŸ†แž“แžฝแž™ แžŠแžพแž˜แŸ’แž”แžธแž•แŸ’แž‘แŸแžšแžฏแž€แžŸแžถแžšโ€‹แž‘แŸ…แžงแž”แž€แžšแžŽแŸแžขแžถแž“แžŸแŸ€แžœแž—แŸ…โ€‹แžขแŸแžกแžทแž…แžแŸ’แžšแžผแž“แžทแž€แžŠแŸ‚แž›แžŸแŸ’แž‚แžถแž›แŸ‹แŸ”