Villa Incognito
Tom Robbins
Apr 2003 · Penguin Random House Audio · Kimesimuliwa na Barrett Whitener
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Imagine that there are American MIAs who chose to remain missing after the Vietnam War.
Imagine that there is a family in which four generations of strong, alluring women have shared a mysterious connection to an outlandish figure from Japanese folklore.
Imagine just those things (don’t even try to imagine the love story) and you’ll have a foretaste of Tom Robbins’s eighth and perhaps most beautifully crafted novel--a work as timeless as myth yet as topical as the latest international threat.
On one level, this is a book about identity, masquerade and disguise--about “the false mustache of the world”--but neither the mists of Laos nor the smog of Bangkok, neither the overcast of Seattle nor the fog of San Francisco, neither the murk of the intelligence community nor the mummery of the circus can obscure the linguistic phosphor that illuminates the pages of Villa Incognito.
A female fan once wrote to Tom Robbins:
“Your books make me think, they make me laugh, they make me horny and they make me aware of the wonder of everything in life.”
Villa Incognito will surely arouse a similar response in many readers, for in its lusty, amusing way it both celebrates existence and challenges our ideas about it.
To say much more about a novel as fresh and surprising as Villa Incognito would run the risk of diluting the sheer fun of reading it. As his dedicated readers worldwide know full well, it’s best to climb aboard the Tom Robbins tilt-a-whirl, kiss preconceptions and sacred cows goodbye and simply enjoy the ride.
Imagine that there is a family in which four generations of strong, alluring women have shared a mysterious connection to an outlandish figure from Japanese folklore.
Imagine just those things (don’t even try to imagine the love story) and you’ll have a foretaste of Tom Robbins’s eighth and perhaps most beautifully crafted novel--a work as timeless as myth yet as topical as the latest international threat.
On one level, this is a book about identity, masquerade and disguise--about “the false mustache of the world”--but neither the mists of Laos nor the smog of Bangkok, neither the overcast of Seattle nor the fog of San Francisco, neither the murk of the intelligence community nor the mummery of the circus can obscure the linguistic phosphor that illuminates the pages of Villa Incognito.
A female fan once wrote to Tom Robbins:
“Your books make me think, they make me laugh, they make me horny and they make me aware of the wonder of everything in life.”
Villa Incognito will surely arouse a similar response in many readers, for in its lusty, amusing way it both celebrates existence and challenges our ideas about it.
To say much more about a novel as fresh and surprising as Villa Incognito would run the risk of diluting the sheer fun of reading it. As his dedicated readers worldwide know full well, it’s best to climb aboard the Tom Robbins tilt-a-whirl, kiss preconceptions and sacred cows goodbye and simply enjoy the ride.
Kuhusu mwandishi
Tom Robbins has been called “a vital natural resource” by the Oregonian, “one of the wildest and most entertaining novelists in the world” by the Financial Times of London, and “the most dangerous writer in the world” by Fernanda Pivano of Italy’s Corriere della Sera. His works include Jitterbug Perfume, Fierce Invalids Home from Hot Climates, and Even Cowgirls Get the Blues. A Southerner by birth, Tom Robbins lived in and around Seattle from 1962 until he passed away in 2025.
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