The Replicant War
Chris Kennedy
āļ.āļ. 2018 · Tantor Media Inc · āļāļĢāļĢāļĒāļēāļĒāđāļāļĒ Adam Verner
3.0star
1 āļĢāļĩāļ§āļīāļ§report
headphones
āļŦāļāļąāļāļŠāļ·āļāđāļŠāļĩāļĒāļ
7 āļāļĄ. 5 āļāļēāļāļĩ
āļāļāļąāļāļŠāļĄāļāļđāļĢāļāđ
family_home
āļĄāļĩāļŠāļīāļāļāļīāđ
info
reportāļāļ°āđāļāļāđāļĨāļ°āļĢāļĩāļ§āļīāļ§āđāļĄāđāđāļāđāļĢāļąāļāļāļēāļĢāļāļĢāļ§āļāļŠāļāļāļĒāļ·āļāļĒāļąāļ Â āļāļđāļāđāļāļĄāļđāļĨāđāļāļīāđāļĄāđāļāļīāļĄ
āļāļąāļāļāļąāļ§āļāļĒāđāļēāļāļĢāļ°āļĒāļ°āđāļ§āļĨāļē 42 āļāļēāļāļĩ āđāļāđāļāļļāļāđāļĄāļ·āđāļāđāļĄāđāļāļāļ°āļāļāļāđāļĨāļāđÂ
āđāļāļīāđāļĄ
āđāļāļĩāđāļĒāļ§āļāļąāļāļŦāļāļąāļāļŠāļ·āļāđāļŠāļĩāļĒāļāđāļĨāđāļĄāļāļĩāđ
Game On!
Billed as "the most realistic game ever," Worlds at War was a video game unlike any otherâone that promised a virtual reality experience that rivaled operating a giant mecha in combat. People flocked to the game in anticipation.
For some, the game lived up to and far exceeded their expectationsâthe level of graphics was indeed, "just like being there." The game didn't provide the experience many others had hoped for, though; for a large number of players, the game was "too real to be fun."
For video game design majors Ryan Johnson and Noah Bowden, the game play was incredible. It made them feel like they actually were saving a foreign world from horrific enemies, and they rapidly moved up on the leaderboard of the game's best players.
But then fatal accidents began happening to the gamers at the top of the leaderboard, including many at which men in black were seen. When Ryan sees those same men at his dorm, he realizes there is more going on in the shadows of Worlds at War than he has been led to believe . . . but can he determine what's going on before a fatal accident happens to him, too?
Billed as "the most realistic game ever," Worlds at War was a video game unlike any otherâone that promised a virtual reality experience that rivaled operating a giant mecha in combat. People flocked to the game in anticipation.
For some, the game lived up to and far exceeded their expectationsâthe level of graphics was indeed, "just like being there." The game didn't provide the experience many others had hoped for, though; for a large number of players, the game was "too real to be fun."
For video game design majors Ryan Johnson and Noah Bowden, the game play was incredible. It made them feel like they actually were saving a foreign world from horrific enemies, and they rapidly moved up on the leaderboard of the game's best players.
But then fatal accidents began happening to the gamers at the top of the leaderboard, including many at which men in black were seen. When Ryan sees those same men at his dorm, he realizes there is more going on in the shadows of Worlds at War than he has been led to believe . . . but can he determine what's going on before a fatal accident happens to him, too?
āļāļēāļĢāđāļŦāđāļāļ°āđāļāļāđāļĨāļ°āļĢāļĩāļ§āļīāļ§
3.0
1 āļĢāļĩāļ§āļīāļ§
āđāļāļĩāđāļĒāļ§āļāļąāļāļāļđāđāđāļāđāļ
A bestselling science fiction/fantasy author, speaker, and publisher, Chris Kennedy is a former naval aviator and elementary school principal. Chris's books include the Theogony and Codex Regius science fiction trilogies and stories in the Four Horsemen military science fiction series. He lives in Virginia Beach, Virginia.
Adam Verner has narrated over one hundred books, including the AudioFile Earphones Award winner Pavilion of Women by Pearl S. Buck. Adam works as a full-time voice actor and on stage in Chicago.
āđāļŦāđāļāļ°āđāļāļāļŦāļāļąāļāļŠāļ·āļāđāļŠāļĩāļĒāļāļāļĩāđ
āđāļŠāļāļāļāļ§āļēāļĄāđāļŦāđāļāļāļāļāļāļļāļāđāļŦāđāđāļĢāļēāļĢāļąāļāļĢāļđāđ
āļāđāļāļĄāļđāļĨāļāļēāļĢāļāļąāļ
āļŠāļĄāļēāļĢāđāļāđāļāļāđāļĨāļ°āđāļāđāļāđāļĨāđāļ
āļāļīāļāļāļąāđāļāđāļāļ Google Play Books āļŠāļģāļŦāļĢāļąāļ Android āđāļĨāļ° iPad/iPhone āđāļāļāļāļ°āļāļīāļāļāđāđāļāļĒāļāļąāļāđāļāļĄāļąāļāļīāļāļąāļāļāļąāļāļāļĩāļāļāļāļāļļāļ āđāļĨāļ°āļāđāļ§āļĒāđāļŦāđāļāļļāļāļāđāļēāļāđāļāļāļāļāļāđāļĨāļāđāļŦāļĢāļ·āļāļāļāļāđāļĨāļāđāđāļāđāļāļļāļāļāļĩāđ
āđāļĨāđāļāļāđāļāļāđāļĨāļ°āļāļāļĄāļāļīāļ§āđāļāļāļĢāđ
āļāļļāļāļŠāļēāļĄāļēāļĢāļāļāđāļēāļāļŦāļāļąāļāļŠāļ·āļāļāļĩāđāļāļ·āđāļāļāļēāļ Google Play āđāļāļĒāđāļāđāđāļ§āđāļāđāļāļĢāļēāļ§āđāđāļāļāļĢāđāļāļāļāļāļĄāļāļīāļ§āđāļāļāļĢāđāļāļāļāļāļļāļ
