The Negro of the "Narcissus"
Joseph Conrad
nov. 2022 · Erika · Oplæst af Peter Dann
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Om denne lydbog
Today, we're likely to react to the title of this novella, on whose 'sincerity of expression' Conrad was willing to stake his artisitic reputation, with visceral disgust. There is a sad irony in this, for Conrad's title originally alluded to a rather complex set of meanings, implying that, by virtue of our human nature, we all carry within the fragile vessel that is our idealised image of ourselves a darker being we find troubling, even despicable, but with whom we must eventually come to terms. Indeed, in the couse of this tale of a traumatic sea voyage from Bombay to London, Conrad suggests that in projecting their loathing of their own ambivalent feelings onto their (possibly dying) black shipmate James Wait, the crew of the Narcissus have considerable difficulty seeing the real James Wait behind their confused emotional reactions at all. The novella is remarkable for its knitting together of a stunningly well-realised physical drama involving an imperilled ship with a most discomforting psychodrama that draws in all twenty-six men who sail her.
Om forfatteren
Joseph Conrad (born Józef Teodor Konrad Korzeniowski ) was a Polish-born English novelist who today is most famous for Heart of Darkness, his fictionalized account of Colonial Africa. Conrad left his native Poland in his middle teens to avoid conscription into the Russian Army. He joined the French Merchant Marine and briefly employed himself as a wartime gunrunner. He then began to work aboard British ships, learning English from his shipmates. He was made a Master Mariner, and served more than sixteen years before an event inspired him to try his hand at writing. He was hired to take a steamship into Africa, and according to Conrad, the experience of seeing firsthand the horrors of colonial rule left him a changed man. Joseph Conrad settled in England in 1894, the year before he published his first novel. He was deeply interested in a small number of writers both in French and English whose work he studied carefully. This was useful when, because a need to come to terms with his experience, lead him to write Heart of Darkness, in 1899, which was followed by other fictionalized explorations of his life. He has been lauded as one of the most powerful, insightful, and disturbing novelists in the English canon despite coming to English later in life, which allowed him to combine it with the sensibilities of French, Russian, and Polish literature.
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