The Mirror of the Sea
Joseph Conrad
Okt. 2022 · Erika · Voorgelees deur Peter Dann
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6 u. 3 min.
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"Here speaks the man of masts and sails, to whom the sea is not a navigable element, but an intimate companion. The length of passages, the growing sense of solitude, the close dependence upon the very forces that, friendly to-day, without changing their nature, by the mere putting forth of their might, become dangerous to-morrow, make for that sense of fellowship which modern seamen, good men as they are, cannot hope to know." In this volume of essays, more than in any other single work, we get to see clearly just what Joseph Conrad's years working on sail-powered ships meant to him — and they certainly meant a great deal to him, for all Conrad's subsequent fretting that he might be typed as "only" a writer of the sea. This collection is particularly renowned for the lengthy episode titled "The Tremolino", where Conrad gives us, in the character of the real-world Dominic, the model of his fictional Nostromo, as well as an account of personalities and gun-running activities he would later depict in "The Arrow of Gold".
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Joseph Conrad (born Józef Teodor Konrad Korzeniowski ) was a Polish-born English novelist who today is most famous for Heart of Darkness, his fictionalized account of Colonial Africa. Conrad left his native Poland in his middle teens to avoid conscription into the Russian Army. He joined the French Merchant Marine and briefly employed himself as a wartime gunrunner. He then began to work aboard British ships, learning English from his shipmates. He was made a Master Mariner, and served more than sixteen years before an event inspired him to try his hand at writing. He was hired to take a steamship into Africa, and according to Conrad, the experience of seeing firsthand the horrors of colonial rule left him a changed man. Joseph Conrad settled in England in 1894, the year before he published his first novel. He was deeply interested in a small number of writers both in French and English whose work he studied carefully. This was useful when, because a need to come to terms with his experience, lead him to write Heart of Darkness, in 1899, which was followed by other fictionalized explorations of his life. He has been lauded as one of the most powerful, insightful, and disturbing novelists in the English canon despite coming to English later in life, which allowed him to combine it with the sensibilities of French, Russian, and Polish literature.
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