The Matrix and Philosophy

William Irwin

Nov. 2002 · Penguin Random House Audio · Voorgelees deur Oliver Wyman, Rick Adamson en Jennifer Jay Myers

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6 u. 47 min.

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The Matrix conveys the horror of a false world made of nothing but perceptions. Based on the premise that reality is a dream controlled by malevolent forces, it is one of the most overtly philosophical movies ever to come out of Hollywood. These thought-provoking essays by the same team of young philosophers who created The Simpsons and Philosophy discuss different facets of the primary philosophical puzzle of The Matrix: Can we be sure the world is really there, and if not, what should we do about it? Other chapters address issues of religion, lifestyle, pop culture, the Zeitgeist, the nature of mind and matter, and the reality of fiction.

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William Irwin is Herve A. LeBlanc Distinguished Service Professor and Chair of Philosophy at King's College, Pennsylvania. Irwin's latest book is The Free Market Existentialist: Capitalism without Consumerism (2015). Irwin's first book, Intentionalist Interpretation: A Philosophical Explanation and Defense (1999), was nominated for the American Philosophical Association Young Scholar's Book Prize. Irwin is best known for having originated the philosophy and popular culture genre of books with Seinfeld and Philosophy (1999), The Simpsons and Philosophy (2001), and The Matrix and Philosophy (2002). He was editor of these books and then General Editor of the Popular Culture and Philosophy Series through Open Court Publishing. In 2006, Irwin left Open Court to become the General Editor of The Blackwell Philosophy and Pop Culture Series, which includes Metallica and Philosophy (2007)and Black Sabbath and Philosophy (2012), among other volumes. Irwin first theorized the philosophy and pop culture genre in his article "Philosophy as/and/of Popular Culture" in Irwin and Gracia eds. Philosophy and the Interpretation of Popular Culture (2006).

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