The Invisibility Cloak
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A lightly surreal story of misfortune, menace, and high-end stereo equipment in the cutthroat, capitalistic world of modern China
The hero of The Invisibility Cloak lives in contemporary Beijing—where everyone is doing their best to hustle up the ladder of success while shouldering an ever-growing burden of consumer goods—and he’s a loser. Well into his forties, he’s divorced (and still doting on his ex), childless, and living with his sister (her husband wants him out) in an apartment at the edge of town with a crack in the wall. He gets by, just, by making customized old-fashioned amplifiers for the occasional rich audio-obsessive. He has contempt for his clients and contempt for himself. The only things he really likes are Beethoven and vintage speakers. Then an old friend tips him off about a special job—a little risky, but just don’t ask too many questions. Can this hopeless loser really win?
This provocative and seriously funny exercise in the social fantastic by the brilliantly original Ge Fei, one of China’s finest living writers, is among the most original works of fiction to come out of China in recent years. It is sure to appeal to fans of Haruki Murakami and other fabulists of contemporary irreality.
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Ge Fei is the pen name of Liu Yong, who was born in Jiangsu Province in 1964. His scholarly publications include Kafka’s Pendulum, and his fiction includes The Invisibility Cloak; the Jiangnan trilogy, of which Peach Blossom Paradise is the first volume; and the novella Flock of Brown Birds. He was awarded the 2014 Lu Xun Literary Prize and the 2015 Mao Dun Prize for Fiction.
Canaan Morse is a translator, poet, and editor. He cofounded the literary quarterly Pathlight: New Chinese Writing and has contributed translations of Chinese prose and poetry to The Kenyon Review, The Baffler, and other journals.
Brian Nishii is a voice talent and award-winning audiobook narrator.
