The Empty Grandstand
Lloyd Jones
2024. g. dec. · Bolinda · Ierunātājs: Lloyd Jones
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1 h 24 min
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Par šo audiogrāmatu
Lloyd Jones was seven years old the first time he climbed high into a grandstand to watch rugby with his father. The experience was baptismal. From his new elevated perspective Jones believed he could see everything that mattered – a field of play that rolled out, green with promise, from suburban New Zealand to the wider world. The grandstand is a guiding metaphor for these questing narrative poems that reach back into childhood and forward into the life of a writer constantly experimenting with form and voice. Jones writes of the wild secrets of boyhood – riding dogs, falling from trees, destroying the class ukuleles, learning to sail in small boats. He is alert to the airless small-town grievances that must inevitably be escaped. As an aspiring young writer Jones travelled widely, testing his identity against difference – places, people, politics and importantly, language. The more recent poems are a re-assembling of coordinates and a return to the local view. The grandstand has long been decommissioned – it's a housing estate now, but the poems are full of air and greenery. Dream spaces where language is forever in play.
Par autoru
Award-winning novelist Lloyd Jones was born in 1955 in Lower Hutt in New Zealand and graduated from Victoria University. He has worked as a journalist and covered Papua New Guinea's blockade of Bougainville during the 1990s, the setting for his bestselling Mister Pip. Jones has received awards including the Katherine Mansfield Memorial fellowship in 1988, the Deutz Medal for Fiction, the Tasmania Pacific Fiction Prize (2003) and the Montana New Zealand Book Award (2001) for The Book of Fame. In 2007 Jones won the Commonwealth Writers Prize for Mister Pip, which was also shortlisted for the Man Booker Prize.
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