The Deportees

¡ RH AudioGo ¡ āļšāļŽāļąāļē Hugh Lee āˇ€āˇ’āˇƒāˇ’āļąāˇŠ
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āļ´āˇāļē 7 āļ¸āˇ’āļąāˇ’ 19
āļ…āˇƒāļ‚āļšāˇŠâ€āˇ‚⎒āļ´āˇŠāļ­
āˇƒāˇ”āļ¯āˇ”āˇƒāˇ”āļšāļ¸āˇŠ āļŊāļļāļē⎒
āļ‡āļœāļē⎓āļ¸āˇŠ āˇƒāˇ„ ⎃āļ¸āˇāļŊāˇāļ āļą āˇƒāļ­āˇŠâ€āļēāˇāļ´āļąāļē āļšāļģ āļąāˇāļ­Â āˇ€āˇāļŠāˇ’āļ¯āˇ”āļģ āļ¯āˇāļą āļœāļąāˇŠāļą
āļ¸āˇ’āļąāˇ’ 9āļš āˇƒāˇāļ¸āˇŠāļ´āļŊāļēāļšāˇŠ āļ…āˇ€āˇāˇŠâ€āļēāļ¯? āļ•āļąāˇ‘āļ¸ āˇ€āˇšāļŊāˇāˇ€āļš, āļąāˇœāļļ⎐āļŗāˇ’⎀ āļ´āˇ€āˇ āˇƒāˇ€āļąāˇŠ āļ¯āˇ™āļąāˇŠāļą. 
āļ‘āļšāˇŠ āļšāļģāļąāˇŠāļą

āļ¸āˇ™āļ¸ āˇāˇŠâ€āļģāˇ€āˇŠâ€āļē āļ´āˇœāļ­ āļœāˇāļą

For the past few years Roddy Doyle has been writing stories for Metro Eireann, a newspaper started by, and aimed at, immigrants to Ireland. Each of the stories took a new slant on the immigrant experience, something of increasing relevance and importance in today's Ireland.

The stories range from 'Guess Who's Coming to the Dinner', where a father who prides himself on his open-mindedness when his daughters talk about sex, is forced to confront his feelings when one of them brings home a black fella, to a terrifying ghost story, 'The Pram', in which a Polish nanny grows impatient with her charge's older sisters and decides - in a phrase she has learnt - to 'scare them shitless'.

Most of the stories are very funny - in '57% Irish' Ray Brady tries to devise a test of Irishness by measuring reactions to Robbie Keane's goal against Germany in the 2002 World Cup, Riverdance and 'Danny Boy' - others deeply moving. And best of all, in the title story itself,Jimmy Rabbitte, the man who formed The Commitments, decides it's time to find a new band, and this time no White Irish need apply. Multicultural to a fault, The Deportees specialise not in soul music this time, but the songs of Woody Guthrie.

āļšāļģ⎊āļ­āˇ˜ āļ´āˇ’⎅⎒āļļāļŗ

Roddy Doyle was born in Dublin in 1958. He is the author of eight acclaimed novels and Rory & Ita, a memoir about his parents. He won the Booker Prize in 1993 for Paddy Clarke Ha Ha Ha.

āļ¸āˇ™āļ¸ āˇāˇŠâ€āļģāˇ€āˇŠâ€āļē āļ´āˇœāļ­ āļ…āļœāļēāļąāˇŠāļą

āļ”āļļ āˇƒāˇ’āļ­āļą āļ¯āˇ™āļē āļ…āļ´āļ§ āļšāˇ’āļēāļąāˇŠāļą.

āˇƒāˇ€āļąāˇŠ āļ¯āˇ“āļ¸āˇš āļ­āˇœāļģāļ­āˇ”āļģ⎔

⎃⎊āļ¸āˇāļģ⎊āļ§āˇŠ āļ¯āˇ”āļģāļšāļŽāļą āˇƒāˇ„ āļ§āˇāļļ⎊āļŊāļ§āˇŠ
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āļŊ⎐āļ´āˇŠāļ§āˇœāļ´āˇŠ āˇƒāˇ„ āļ´āļģ⎒āļœāļĢāļš
āļ”āļļāļœāˇš āļ´āļģ⎒āļœāļĢāļšāļē⎚ ⎀⎙āļļ⎊ āļļāˇŠâ€āļģāˇ€āˇŠāˇƒāļģāļē āļˇāˇāˇ€āˇ’āļ­āļē⎙āļąāˇŠ Google Play āļ¸āļ­ āļ¸āˇ’āļŊāļ¯āˇ“ āļœāļ­āˇŠ āļ´āˇœāļ­āˇŠ āļ”āļļāļ§ āļšāˇ’āļē⎀⎒āļē ⎄⎐āļš.

Roddy Doyle āˇ€āˇ’āˇƒāˇ’āļąāˇŠ āļ­āˇ€āļ­āˇŠ

⎃āļ¸āˇāļą āˇāˇŠâ€āļģāˇ€āˇŠâ€āļēāļ´āˇœāļ­āˇŠ

āļšāļŽāļąāļē Hugh Lee āˇ€āˇ’āˇƒāˇ’āļąāˇ’