The Amazing Interlude

· John D. Rayburn · John Rayburn āŠĶāŦāŠĩāŠūāŠ°āŠū āŠĩāŠ°āŦāŠĢāŠĻ āŠ•āŠ°āŦ‡āŠē
āŠ‘āŠĄāŠŋāŠŊāŦ‹āŠŽāŦāŠ•
7 āŠ•āŠēāŠūāŠ• 25 āŠŪāŠŋāŠĻāŠŋāŠŸ
āŠĩāŠŋāŠļāŦāŠĪāŦƒāŠĪ
āŠŠāŠūāŠĪāŦāа
āŠ°āŦ‡āПāŠŋāŠ‚āŠ— āŠ…āŠĻāŦ‡ āŠ°āŠŋāŠĩāŦāŠŊāŦ‚ āŠšāŠ•āŠūāŠļāŦ‡āŠēāŠū āŠĻāŠĨāŦ€Â āŠĩāŠ§āŦ āŠœāŠūāŠĢāŦ‹
4 āŠŪāŠŋāŠĻāŠŋāŠŸāŠĻāŦ‹ āŠĻāŠŪāŦ‚āŠĻāŦ‹ āŠœāŦ‹āŠˆāŠ āŠ›āŦ‡? āŠ‘āŠŦāŠēāŠūāŠ‡āŠĻ āŠđāŦ‹, āŠĪāŦāŠŊāŠūāŠ°āŦ‡ āŠŠāŠĢ āŠ—āŠŪāŦ‡ āŠĪāŦāŠŊāŠūāŠ°āŦ‡ āŠļāŠūāŠ‚āŠ­āŠģāŦ‹. 
āŠ‰āŠŪāŦ‡āаāŦ‹

āŠ† āŠ‘āŠĄāŠŋāŠŊāŦ‹āŠŽāŦāŠ• āŠĩāŠŋāŠķāŦ‡

The stage on which we play our little dramas of life and love has for most of us but one setting. It is furnished out with approximately the same things. Characters come, move about, and make their final exits through long-familiar doors. And the backdrop remains approximately the same from beginning to end. Palace or hovel, forest or sea, it is the background for the moving figures of the play.

Sara Lee Kennedy had a backdrop that had every appearance of permanency. The great Scene Painter apparently intended that there should be no change of set for her. Sara Lee herself certainly expected none.

But now and then, amazing things are done on this great stage of ours: lights go down; the backdrop, which had given the illusion of solidity, reveals itself transparent. A sort of fairyland transformation takes place. Beyond the once solid wall, strange figures move on—a new mise-en-scÃĻne, with the old blotted out in darkness. The lady, whom we left knitting by the fire, becomes a fairy—Sara Lee became a fairy, of a sort—and meets the prince. Adventure, too; and love, of course. And then the lights go out, and it is the same old backdrop again, and the lady is back by the fire—but with a memory.

This is the story of Sara Lee Kennedy’s memory—and of something more. You’ll hear all about it.

āŠēāŦ‡āŠ–āŠ• āŠĩāŠŋāŠķāŦ‡

Mary Roberts Rinehart (1876–1958) was a novelist and playwright best known for her mystery stories, which combined humor with ingenuity. The success of her novels The Circular Staircase and The Man in Lower Ten established her reputation as an important American mystery writer. At one time she was the highest paid writer in America. In addition to mysteries, she wrote comic tales, plays, romances, and travel books, some of which reflected her experiences as a correspondent during World War I. One critic called her autobiography, My Story, her finest book.

John Rayburn is a veteran of over sixty years in broadcasting. He served as a news/sports anchor and show host, and his TV newscast achieved the largest share of audience figures of any major-market TV newscast in the nation. John is a member of the Broadcast Pioneers Hall of Fame. He is well suited to bring fascinating stories to life concerning the people, places, and things that combine to present lively observations of our day-to-day lives.

āŠ† āŠ‘āŠĄāŠŋāŠŊāŦ‹āŠŽāŦāŠ•āŠĻāŦ‡ āŠ°āŦ‡āПāŠŋāŠ‚āŠ— āŠ†āŠŠāŦ‹

āŠĪāŠŪāŦ‡ āŠķāŦāŠ‚ āŠĩāŠŋāŠšāŠūāŠ°āŦ‹ āŠ›āŦ‹ āŠ…āŠŪāŠĻāŦ‡ āŠœāŠĢāŠūāŠĩāŦ‹.

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Mary Roberts Rinehart āŠĶāŦāŠĩāŠūāŠ°āŠū āŠĩāŠ§āŦ

āŠļāŠŪāŠūāŠĻ āŠ‘āŠĄāŠŋāŠ“āŠŽāŦāŠ•

āŠĩāŠ°āŦāŠĢāŠĻāŠ•āŠ°āŦāŠĪāŠū John Rayburn