Sons of the Oak
Um þessa hljóðbók
Certain works of fantasy are immediately recognizable as monuments, towering above the rest of the category. Those of such authors as Stephen R. Donaldson, Robert Jordan, and Terry Goodkind come immediately to mind. Add to that list David Farland, whose epic fantasy series continues in this fifth installment. The story picks up eight years after the events of Lair of Bones and begins a new chapter in the Runelords saga focusing on Gaborn’s son, Fallion. Gaborn, the Earth King, has been traveling far from his home, to strange and unknown places. While beyond the edge of the earth, he finally succumbs to accelerated aging, the price of all the endowments he has taken. His death is the signal for a revolution, an attack from the supernatural realms by immensely powerful immortal beings. These forces have discovered that Gaborn’s son is the resurrection of an immortal—one whose potential power is so great that he might be able to reorder the entire universe. Fallion’s enemies have decided that they must control him or, failing that, destroy him. He is only a child, but he is the heir to Gaborn’s kingdom and so must flee to the ends of the earth to avoid the destruction of all that Gaborn accomplished. One of the mightiest of contemporary fantasy epics continues.
Um höfundinn
David Farland is the pseudonym of Dave Wolverton, an American author of fantasy fiction who lives in Utah with his wife and five children. He was a budding author during his college years but came to prominence when he won the Writers of the Future L. Ron Hubbard Gold Award for On My Way to Paradise in 1987. He has achieved much renown in the science fiction field, but fans may know him best as the author of Star Wars novels; The Courtship of Princess Leia was met with acclaim from critics and readers alike and became a New York Times bestselling novel.
Ray Porter is a prolific voice actor that has recorded for over 100 audio books and dozens of television series, video games and video shorts. Among his wide variety of audiobook credits are The Silver Linings Playbook, The Black Hole War, and the Joe Ledger series. He claims, “With every book I’ve done, I have found that the author has a voice and if I can just do my best to stay out of the way of that voice, then the writer will convey what he’s trying to put across. So for me, it’s really more about enabling the text and what the author is trying to say.”
