Sons of War 2: Saints
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The civil war is over, but the struggle for power is just beginning ...
In the aftermath of a devastating civil war, America has fallen into anarchy and chaos. Los Angeles is divided into different territories controlled by criminal organizations. Don Antonio Moretti has won a slice of the pie but is hungry for more. In his quest for power, he sends his nephew and a small crew to Mexico, to negotiate a new deal for their staple product, while the don returns to Italy for some unfinished business.
While the crime families battle for power in LA, Dominic Salvatore and his elite team at the LAPD fight tirelessly to stem the rot. But their fight often seems futile in a force rife with corruption. Dom’s father, Ronaldo, is a deputy fighting to secure the border, but when intel arises about his missing daughter, he leaves Los Angeles for the desert wastes, to find her and bring her home.
To the Morettis and the Salvatores, family is everything, and they will protect their own no matter the cost.
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Nicholas Sansbury Smith is the New York Times and USA Today bestselling author of the Hell Divers series, the Orbs series, the Trackers series, the Extinction Cycle series, the Sons of War series, and the new E-Day series. He worked for Iowa Homeland Security and Emergency Management in disaster mitigation before switching careers to focus on storytelling. When he isn’t writing or daydreaming about the apocalypse, he enjoys running, biking, spending time with his family, and traveling the world. He is an Ironman triathlete and lives in Iowa with his wife, daughter, and their dogs.
Ray Porter is a prolific voice actor that has recorded for over 100 audio books and dozens of television series, video games and video shorts. Among his wide variety of audiobook credits are The Silver Linings Playbook, The Black Hole War, and the Joe Ledger series. He claims, “With every book I’ve done, I have found that the author has a voice and if I can just do my best to stay out of the way of that voice, then the writer will convey what he’s trying to put across. So for me, it’s really more about enabling the text and what the author is trying to say.”
