Shadows of Swanford Abbey
Julie Klassen
āļ.āļ. 2021 · RB Media · āļāļĢāļĢāļĒāļēāļĒāđāļāļĒ Elizabeth Jasicki
5.0star
2 āļĢāļĩāļ§āļīāļ§report
headphones
āļŦāļāļąāļāļŠāļ·āļāđāļŠāļĩāļĒāļ
13 āļāļĄ. 32 āļāļēāļāļĩ
āļāļāļąāļāļŠāļĄāļāļđāļĢāļāđ
family_home
āļĄāļĩāļŠāļīāļāļāļīāđ
info
reportāļāļ°āđāļāļāđāļĨāļ°āļĢāļĩāļ§āļīāļ§āđāļĄāđāđāļāđāļĢāļąāļāļāļēāļĢāļāļĢāļ§āļāļŠāļāļāļĒāļ·āļāļĒāļąāļ Â āļāļđāļāđāļāļĄāļđāļĨāđāļāļīāđāļĄāđāļāļīāļĄ
āļāļąāļāļāļąāļ§āļāļĒāđāļēāļāļĢāļ°āļĒāļ°āđāļ§āļĨāļē 1 āļāļĄ. 22 āļāļēāļāļĩ āđāļāđāļāļļāļāđāļĄāļ·āđāļāđāļĄāđāļāļāļ°āļāļāļāđāļĨāļāđÂ
āđāļāļīāđāļĄ
āđāļāļĩāđāļĒāļ§āļāļąāļāļŦāļāļąāļāļŠāļ·āļāđāļŠāļĩāļĒāļāđāļĨāđāļĄāļāļĩāđ
Agatha Christie meets Jane Austen in this atmospheric Regency tale brimming with mystery, intrigue, and romance.
When Miss Rebecca Lane returns to her home village after a few years away, her brother begs for a favor: go to nearby Swanford Abbey and deliver his manuscript to an author staying there who could help him get published. Feeling responsible
for her brotherâs desperate state, she reluctantly agrees.
The medieval monastery turned grand hotel is rumored to be haunted. Once there, Rebecca begins noticing strange things, including a figure in a hooded black gown gliding silently through the abbeyâs cloisters. For all its renovations and
veneer of luxury, the ancient foundations seem to echo with whispers of the pastâincluding her own. For there she encounters Sir Frederickâmagistrate, widower, and former neighborâwho long ago broke her heart.
When the famous author is found murdered in the abbey, Sir Frederick begins questioning staff and guests and quickly discovers that several people held grudges against the man, including Miss Lane and her brother. Haunted by a
painful betrayal in his past, Sir Frederick searches for answers but is torn between his growing feelings for Rebecca and his pursuit of the truth. For Miss Lane is clearly hiding something. ...
When Miss Rebecca Lane returns to her home village after a few years away, her brother begs for a favor: go to nearby Swanford Abbey and deliver his manuscript to an author staying there who could help him get published. Feeling responsible
for her brotherâs desperate state, she reluctantly agrees.
The medieval monastery turned grand hotel is rumored to be haunted. Once there, Rebecca begins noticing strange things, including a figure in a hooded black gown gliding silently through the abbeyâs cloisters. For all its renovations and
veneer of luxury, the ancient foundations seem to echo with whispers of the pastâincluding her own. For there she encounters Sir Frederickâmagistrate, widower, and former neighborâwho long ago broke her heart.
When the famous author is found murdered in the abbey, Sir Frederick begins questioning staff and guests and quickly discovers that several people held grudges against the man, including Miss Lane and her brother. Haunted by a
painful betrayal in his past, Sir Frederick searches for answers but is torn between his growing feelings for Rebecca and his pursuit of the truth. For Miss Lane is clearly hiding something. ...
āļāļēāļĢāđāļŦāđāļāļ°āđāļāļāđāļĨāļ°āļĢāļĩāļ§āļīāļ§
5.0
2 āļĢāļĩāļ§āļīāļ§
āđāļāļĩāđāļĒāļ§āļāļąāļāļāļđāđāđāļāđāļ
Julie Klassen is a bestselling, award winning author. She graduated from the University of Illinois and worked in publishing for sixteen years in advertising and as a fiction editor. Klassen's books, The Girl in the Gatehouse and The Silent Governess won the Christy Award for Historical Romance. The Girl in the Gatehouse also won a Midwest Book Award and The Silent Governess was a finalist in Romance Writers of America's RITA awards. Julie is also the author of Lady of Milkweed Manor, which was a finalist for the Christy award, The Apothecary's Daughter, and The Maid of Fairbourne Hall.
āđāļŦāđāļāļ°āđāļāļāļŦāļāļąāļāļŠāļ·āļāđāļŠāļĩāļĒāļāļāļĩāđ
āđāļŠāļāļāļāļ§āļēāļĄāđāļŦāđāļāļāļāļāļāļļāļāđāļŦāđāđāļĢāļēāļĢāļąāļāļĢāļđāđ
āļāđāļāļĄāļđāļĨāļāļēāļĢāļāļąāļ
āļŠāļĄāļēāļĢāđāļāđāļāļāđāļĨāļ°āđāļāđāļāđāļĨāđāļ
āļāļīāļāļāļąāđāļāđāļāļ Google Play Books āļŠāļģāļŦāļĢāļąāļ Android āđāļĨāļ° iPad/iPhone āđāļāļāļāļ°āļāļīāļāļāđāđāļāļĒāļāļąāļāđāļāļĄāļąāļāļīāļāļąāļāļāļąāļāļāļĩāļāļāļāļāļļāļ āđāļĨāļ°āļāđāļ§āļĒāđāļŦāđāļāļļāļāļāđāļēāļāđāļāļāļāļāļāđāļĨāļāđāļŦāļĢāļ·āļāļāļāļāđāļĨāļāđāđāļāđāļāļļāļāļāļĩāđ
āđāļĨāđāļāļāđāļāļāđāļĨāļ°āļāļāļĄāļāļīāļ§āđāļāļāļĢāđ
āļāļļāļāļŠāļēāļĄāļēāļĢāļāļāđāļēāļāļŦāļāļąāļāļŠāļ·āļāļāļĩāđāļāļ·āđāļāļāļēāļ Google Play āđāļāļĒāđāļāđāđāļ§āđāļāđāļāļĢāļēāļ§āđāđāļāļāļĢāđāļāļāļāļāļĄāļāļīāļ§āđāļāļāļĢāđāļāļāļāļāļļāļ
