Prince of Secrets and Shadows

· The Order of the Crystal Daggers āļŦāļ™āļąāļ‡āļŠāļ·āļ­āđ€āļĨāđˆāļĄāļ—āļĩāđˆ 2 · C. S. Johnson · āļšāļĢāļĢāļĒāļēāļĒāđ‚āļ”āļĒ Hannah Sharafian
āļŦāļ™āļąāļ‡āļŠāļ·āļ­āđ€āļŠāļĩāļĒāļ‡
12 āļŠāļĄ. 4 āļ™āļēāļ—āļĩ
āļ‰āļšāļąāļšāļŠāļĄāļšāļđāļĢāļ“āđŒ
āļĄāļĩāļŠāļīāļ—āļ˜āļīāđŒ
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Everyone has Secrets.

PRAGUE, 1870.

After joining the Order of the Crystal Daggers, led by her dauntless grandmother, Lady Penelope, Eleanora SvobodovÃĄ set out to save her kingdom from oncoming devastation.

And she failed.

Following the attack on Prague Castle, Eleanora is determined to redeem herself. She sets out to win Karl’s trust while distancing herself from Ferdy, whose secrets and lies have done nothing to stop her from falling in love with him. As she struggles to let him go, questions about the mission and her mother’s past cause a rift between Amir and Lady Penelope and add to the growing discord between Eleanora and her brother.

But when a cunning provocateur arrives in Prague, Eleanora discovers there is an even more deadly game afoot, one that reaches into Amir's past and threatens Lady Penelope's future. Now, the members of the Order must work together if they are to uncover the true enemy hiding in Bohemia.

Can they work together despite their divisions? Or will their division lead to even more destruction?


FROM THE BOOK:

“How do I know you’re telling me the truth?” The last thing I wanted to do was hurt him, but if I did not find a way to break free of him, I would risk doing even more harm.


Ferdy met my gaze with his. “I promise you this, Ella, that as of now, I will never lie to you again.” He leaned forward and kissed me again, and I stood there, letting him, desperately debating whether I could trust him or not. His promise burned through me, his words scorched into my being. It was so tempting to believe him, more tempting than anything else I had ever faced in all my life.


Freedom was only freedom if I could trust it to be true.

āđƒāļŦāđ‰āļ„āļ°āđāļ™āļ™āļŦāļ™āļąāļ‡āļŠāļ·āļ­āđ€āļŠāļĩāļĒāļ‡āļ™āļĩāđ‰

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āļ‚āđ‰āļ­āļĄāļđāļĨāļāļēāļĢāļŸāļąāļ‡

āļŠāļĄāļēāļĢāđŒāļ—āđ‚āļŸāļ™āđāļĨāļ°āđāļ—āđ‡āļšāđ€āļĨāđ‡āļ•
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āļ­āđˆāļēāļ™āļ‹āļĩāļĢāļĩāļŠāđŒāļ™āļĩāđ‰āļ•āđˆāļ­

āđāļĨāļ°āļœāļđāđ‰āļŸāļąāļ‡āļĒāļąāļ‡āļŠāļ­āļš

āļĢāļēāļĒāļāļēāļĢāļ­āļ·āđˆāļ™āđ† āļ—āļĩāđˆāđ€āļ‚āļĩāļĒāļ™āđ‚āļ”āļĒ C. S. Johnson