Por la parte de Swann
Marcel Proust
Aga 2023 · A la busca del tiempo perdido Ibhuku elingu-1 · RB Media · Kuchazwe ngu-Joan Mora
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La primera parte de una obra maestra sobre al amor, las relaciones humanas y el devenir del tiempo. En 1913 vio la luz esta primera entrega de uno de los ciclos novelísticos más admirables de la historia de la literatura: En busca del tiempo perdido, un camino iniciático y un análisis, de hondo calado filosófico, de la compleja relación del tiempo con la memoria, ese instrumento —formado por recuerdos, ensaciones, incluso sabores—para reapropiarse del pasado y de ese modo devolver su integridad al presente. 1 / 4El libro se divide en tres partes, todas ellas variaciones sobre el tema del tiempo que inexorablemente queda atrás: «Combray», el pueblo de la infancia del protagonista, que lo rememora antes de dormir; «Un amor de Swann», o el despilfarro del tiempo en un amor, el de Odette y Swann, agostado por los celos; «Nombres de país: el Nombre», que gira en torno a los recuerdos de la adolescencia.
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Proust is one of the seminal figures in modern literature, matched only in stature by Joyce, Woolf, Mann and Kafka. By the last decade of the 19th century, the charming and ambitious Proust, born into a wealthy bourgeois family, was already a famous Paris socialite who attended the most fashionable salons of the day. The death of his parents in the early years of the 20th century, coupled with his own increasingly ill health, made of Proust a recluse who confined himself to his cork-lined bedroom on the Boulevard Haussmann. There he concentrated on the composition of his great masterpiece, Remembrance of Things Past (1913-27). In recent years, it was discovered that he had already prepared a first draft of the work in the 1890s in Jean Santeuil, which was only published posthumously in 1952. Remembrance of Things Past resists summary. Seeming at turns to be fiction, autobiography, and essay, Remembrance is a vast meditation on the relationship between time, memory, and art. In it the narrator, who bears the same first name as the author, attempts to reconstruct his life from early childhood to middle age. In the process, he surveys French society at the turn of the century and describes the eventual decline of the aristocracy in the face of the rising middle class. The process of reconstruction of Marcel's past life is made possible by the psychological device of involuntary memory; according to this theory, all of our past lies hidden within us only to be rediscovered and brought to the surface by some unexpected sense perception. In the final volume of the work, the narrator, who has succeeded in recapturing his past, resolves to preserve it through the Work of Art, his novel. He died of pneumonia and a pulmonary abscess in 1922. He was buried in the Père Lachaise Cemetery in Paris.
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