Mr. One and Only

Β· Baes of Juneteenth αžŸαŸ€αžœαž—αŸ…αž‘αžΈ 10 Β· Tantor Media Inc Β· αž”αžšαž·αž™αžΆαž™αžŠαŸ„αž™ Midnite Michael
αžŸαŸ€αžœαž—αŸ…β€‹αž‡αžΆβ€‹αžŸαŸ†αž‘αŸαž„
αž˜αžΆαž“αžŸαž·αž‘αŸ’αž’αž·
αžŸαŸ€αžœαž—αŸ…αž“αŸαŸ‡αž“αžΉαž„αž˜αžΆαž“αž“αŸ…αžαŸ’αž„αŸƒαž‘αžΈ 10 αž€αž»αž˜αŸ’αž—αŸˆ 2026αŸ” αž’αŸ’αž“αž€β€‹αž“αžΉαž„β€‹αž˜αž·αž“β€‹αžαŸ’αžšαžΌαžœβ€‹αž”αžΆαž“β€‹αž‚αž·αžβ€‹αž”αŸ’αžšαžΆαž€αŸ‹β€‹αž‘αŸ β€‹αžšαž αžΌαžβ€‹αžŠαž›αŸ‹β€‹αžœαžΆαž…αŸαž‰αž•αŸ’αžŸαžΆαž™αŸ”

αž’αŸ†αž–αžΈαžŸαŸ€αžœαž—αŸ…β€‹αž‡αžΆαžŸαŸ†αž‘αŸαž„αž“αŸαŸ‡

They come from two different worlds, but when the heart is involved nothing else matters.



Entrepreneur Noah Chambers, aka Mr. Black Atlanta, always gets what he wants. So when he falls in love with Genesis Savell and asks her to marry him, he's certain she'll say yes. She doesn't. Instead, she insists they take a break from each other. That's when Noah knows there's something else going on, and he has every intention of finding out what.



Dating Noah, the owner of the company she works at, wasn't one of her best decisions. But falling in love with him is even worse. Genesis is in the midst of planning his company's annual Juneteenth Gala and Silent Auction charity event, but her past comes back to haunt her. Instead of focusing on the gala, her attention is hopelessly divided between two men. One who she loves more than life. The otherβ€”the man who saved her life years ago. Yet, when her world spins out of control, there's no question who she'll call for helpβ€”Mr. One and Onlyβ€”Noah. But is it too late?



Contains mature themes.

αž–αŸαžαŸŒαž˜αžΆαž“αž’αŸ†αž–αžΈαž€αžΆαžšαžŸαŸ’αžŠαžΆαž”αŸ‹

αž‘αžΌαžšαžŸαž–αŸ’αž‘αž†αŸ’αž›αžΆαžαžœαŸƒ αž“αž·αž„β€‹αžαŸαž”αŸ’αž›αŸαž
αžŠαŸ†αž‘αžΎαž„αž€αž˜αŸ’αž˜αžœαž·αž’αžΈ Google Play Books αžŸαž˜αŸ’αžšαžΆαž”αŸ‹ Android αž“αž·αž„ iPad/iPhone αŸ” αžœαžΆβ€‹αž’αŸ’αžœαžΎαžŸαž˜αž€αžΆαž›αž€αž˜αŸ’αž˜β€‹αžŠαŸ„αž™αžŸαŸ’αžœαŸαž™αž”αŸ’αžšαžœαžαŸ’αžαž·αž‡αžΆαž˜αž½αž™β€‹αž‚αžŽαž“αžΈβ€‹αžšαž”αžŸαŸ‹αž’αŸ’αž“αž€β€‹ αž“αž·αž„β€‹αž’αž“αž»αž‰αŸ’αž‰αžΆαžαž±αŸ’αž™β€‹αž’αŸ’αž“αž€αž’αžΆαž“αž–αŸαž›β€‹αž˜αžΆαž“αž’αŸŠαžΈαž“αž’αžΊαžŽαž·αž αž¬αž‚αŸ’αž˜αžΆαž“β€‹αž’αŸŠαžΈαž“αž’αžΊαžŽαž·αžβ€‹αž“αŸ…αž‚αŸ’αžšαž”αŸ‹αž‘αžΈαž€αž“αŸ’αž›αŸ‚αž„αŸ”
αž€αž»αŸ†αž–αŸ’αž™αžΌαž‘αŸαžšβ€‹αž™αž½αžšαžŠαŸƒ αž“αž·αž„αž€αž»αŸ†αž–αŸ’αž™αžΌαž‘αŸαžš
αž’αŸ’αž“αž€β€‹αž’αžΆαž…β€‹αž’αžΆαž“β€‹αžŸαŸ€αžœαž—αŸ…β€‹β€‹αžŠαŸ‚αž›β€‹αž”αžΆαž“β€‹αž‘αž·αž‰β€‹β€‹αž“αŸ…β€‹αž–αŸαž›β€‹β€‹β€‹αž€αž˜αŸ’αžŸαžΆαž“αŸ’αž Google αžŠαŸ„αž™β€‹αž”αŸ’αžšαžΎβ€‹αž€αž˜αŸ’αž˜αžœαž·αž’αžΈβ€‹αžšαž»αž€αžšαž€β€‹β€‹αž”αžŽαŸ’αžŠαžΆαž‰β€‹αž€αž»αŸ†αž–αŸ’αž™αžΌαž‘αŸαžšβ€‹αžšαž”αžŸαŸ‹β€‹β€‹αž’αŸ’αž“αž€αŸ”

αž”αž“αŸ’αžαžŸαŸŠαŸαžšαžΈ

αž…αŸ’αžšαžΎαž“αž‘αŸ€αžαžŠαŸ„αž™ Sharon C. Cooper

αžŸαŸ€αžœαž—αŸ…β€‹αž‡αžΆβ€‹αžŸαŸ†αž‘αŸαž„β€‹αžŸαŸ’αžšαžŠαŸ€αž„β€‹αž‚αŸ’αž“αžΆ