Midnight Wolf

Β· Shifters Unbound αžŸαŸ€αžœαž—αŸ…αž‘αžΈ 11 Β· Tantor Media Inc Β· αž”αžšαž·αž™αžΆαž™αžŠαŸ„αž™ Cris Dukehart
5.0
αž€αžΆαžšαžœαžΆαž™αžαž˜αŸ’αž›αŸƒ 5
αžŸαŸ€αžœαž—αŸ…β€‹αž‡αžΆβ€‹αžŸαŸ†αž‘αŸαž„
9 វិ 42 αž“
αž˜αž·αž“β€‹αžŸαž„αŸ’αžαŸαž”
αž˜αžΆαž“αžŸαž·αž‘αŸ’αž’αž·
αž€αžΆαžšαžœαžΆαž™αžαž˜αŸ’αž›αŸƒ αž“αž·αž„αž˜αžαž·αžœαžΆαž™αžαž˜αŸ’αž›αŸƒαž˜αž·αž“αžαŸ’αžšαžΌαžœαž”αžΆαž“αž•αŸ’αž‘αŸ€αž„αž•αŸ’αž‘αžΆαžαŸ‹αž‘αŸ αžŸαŸ’αžœαŸ‚αž„αž™αž›αŸ‹αž”αž“αŸ’αžαŸ‚αž˜
αž…αž„αŸ‹αž”αžΆαž“αž‚αŸ†αžšαžΌ 58 αž“αžΆαž‘αžΈ αž˜αŸ‚αž“αž‘αŸ? αžŸαŸ’αžŠαžΆαž”αŸ‹αž”αžΆαž“β€‹αž‚αŸ’αžšαž”αŸ‹αž–αŸαž› αž‘αŸ„αŸ‡αž”αžΈαž‡αžΆαž‚αŸ’αž˜αžΆαž“αž’αŸŠαžΈαž“αž’αžΊαžŽαž·αžαž€αŸαžŠαŸ„αž™αŸ”Β 
αž”αž“αŸ’αžαŸ‚αž˜

αž’αŸ†αž–αžΈαžŸαŸ€αžœαž—αŸ…β€‹αž‡αžΆαžŸαŸ†αž‘αŸαž„αž“αŸαŸ‡

Angus Murray, bouncer for a New Orleans Shifter bar, is sent to round up an elusive, Collar-less Shifter woman, Tamsin Calloway, who is causing trouble for Shifter Bureau, and possesses information they want. If Angus refuses, he risks losing his cub. He finds Tamsin but she's slippery and not about to be rounded up quietly.



In fact, quiet is nothing Tamsin will ever be. She leads Angus on a wild chase, but he's determined to bring her in to save his son.



Can Tamsin convince Angus she's worth helping before she's locked away by Shifter Bureau, Collared, or perhaps killed?

αž€αžΆαžšαžŠαžΆαž€αŸ‹αž•αŸ’αž€αžΆαž™ αž“αž·αž„αž˜αžαž·αžœαžΆαž™αžαž˜αŸ’αž›αŸƒ

5.0
αž€αžΆαžšαžœαžΆαž™αžαž˜αŸ’αž›αŸƒ 5

αž’αŸ†αž–αžΈβ€‹αž’αŸ’αž“αž€αž“αž·αž–αž“αŸ’αž’

Jennifer Ashley is the New York Times and USA Today bestselling author of numerous romantic fiction novels, including the Mackenzies series and the Shifters Unbound series. Her many awards include the Golden Quill, the RITA Award, and the Romantic Times Reviewers' Choice Award. Jennifer lives in the Southwest.

Cris Dukehart is an award-winning storyteller who has narrated books in a wide variety of genres, from romance and science fiction to children's literature and autobiography. She can also be heard in commercials, e-learning projects, and corporate narrations.

αžœαžΆαž™αžαž˜αŸ’αž›αŸƒβ€‹αžŸαŸ€αžœαž—αŸ…αž‡αžΆαžŸαŸ†αž‘αŸαž„αž“αŸαŸ‡

αž”αŸ’αžšαžΆαž”αŸ‹αž™αžΎαž„αž’αŸ†αž–αžΈαž€αžΆαžšαž™αž›αŸ‹αžƒαžΎαž‰αžšαž”αžŸαŸ‹αž’αŸ’αž“αž€αŸ”

αž–αŸαžαŸŒαž˜αžΆαž“αž’αŸ†αž–αžΈαž€αžΆαžšαžŸαŸ’αžŠαžΆαž”αŸ‹

αž‘αžΌαžšαžŸαž–αŸ’αž‘αž†αŸ’αž›αžΆαžαžœαŸƒ αž“αž·αž„β€‹αžαŸαž”αŸ’αž›αŸαž
αžŠαŸ†αž‘αžΎαž„αž€αž˜αŸ’αž˜αžœαž·αž’αžΈ Google Play Books αžŸαž˜αŸ’αžšαžΆαž”αŸ‹ Android αž“αž·αž„ iPad/iPhone αŸ” αžœαžΆβ€‹αž’αŸ’αžœαžΎαžŸαž˜αž€αžΆαž›αž€αž˜αŸ’αž˜β€‹αžŠαŸ„αž™αžŸαŸ’αžœαŸαž™αž”αŸ’αžšαžœαžαŸ’αžαž·αž‡αžΆαž˜αž½αž™β€‹αž‚αžŽαž“αžΈβ€‹αžšαž”αžŸαŸ‹αž’αŸ’αž“αž€β€‹ αž“αž·αž„β€‹αž’αž“αž»αž‰αŸ’αž‰αžΆαžαž±αŸ’αž™β€‹αž’αŸ’αž“αž€αž’αžΆαž“αž–αŸαž›β€‹αž˜αžΆαž“αž’αŸŠαžΈαž“αž’αžΊαžŽαž·αž αž¬αž‚αŸ’αž˜αžΆαž“β€‹αž’αŸŠαžΈαž“αž’αžΊαžŽαž·αžβ€‹αž“αŸ…αž‚αŸ’αžšαž”αŸ‹αž‘αžΈαž€αž“αŸ’αž›αŸ‚αž„αŸ”
αž€αž»αŸ†αž–αŸ’αž™αžΌαž‘αŸαžšβ€‹αž™αž½αžšαžŠαŸƒ αž“αž·αž„αž€αž»αŸ†αž–αŸ’αž™αžΌαž‘αŸαžš
αž’αŸ’αž“αž€β€‹αž’αžΆαž…β€‹αž’αžΆαž“β€‹αžŸαŸ€αžœαž—αŸ…β€‹β€‹αžŠαŸ‚αž›β€‹αž”αžΆαž“β€‹αž‘αž·αž‰β€‹β€‹αž“αŸ…β€‹αž–αŸαž›β€‹β€‹β€‹αž€αž˜αŸ’αžŸαžΆαž“αŸ’αž Google αžŠαŸ„αž™β€‹αž”αŸ’αžšαžΎβ€‹αž€αž˜αŸ’αž˜αžœαž·αž’αžΈβ€‹αžšαž»αž€αžšαž€β€‹β€‹αž”αžŽαŸ’αžŠαžΆαž‰β€‹αž€αž»αŸ†αž–αŸ’αž™αžΌαž‘αŸαžšβ€‹αžšαž”αžŸαŸ‹β€‹β€‹αž’αŸ’αž“αž€αŸ”

αž”αž“αŸ’αžαžŸαŸŠαŸαžšαžΈ

αž’αŸ’αž“αž€αžŸαŸ’αžŠαžΆαž”αŸ‹αž€αŸαž”αžΆαž“αž…αžΌαž›αž…αž·αžαŸ’αž

αž…αŸ’αžšαžΎαž“αž‘αŸ€αžαžŠαŸ„αž™ Jennifer Ashley