Apparently doomed to an obscure Anglican parsonage in Laracor, Ireland, even after he had written his anonymous masterpiece, A Tale of a Tub (c.1696), Swift turned a political mission to England from the Irish Protestant clergy into an avenue to prominence as the chief propagandist for the Tory government. His exhilaration at achieving importance in his forties appears engagingly in his Journal to Stella (1710--13), addressed to Esther Johnson, a young protegee for whom Swift felt more warmth than for anyone else in his long life. At the death of Queen Anne and the fall of the Tories in 1714, Swift became dean of St. Patrick's Cathedral, Dublin. In Ireland, which he considered exile from a life of power and intellectual activity in London, Swift found time to defend his oppressed compatriots, sometimes in such contraband essays as his Drapier's Letters (1724), and sometimes in such short mordant pieces as the famous A Modest Proposal (1729); and there he wrote perhaps the greatest work of his time, Gulliver's Travels (1726). Using his characteristic device of the persona (a developed and sometimes satirized narrator, such as the anonymous hack writer of A Tale of a Tub or Isaac Bickerstaff in Predictions for the Ensuing Year, who exposes an astrologer), Swift created the hero Gulliver, who in the first instance stands for the bluff, decent, average Englishman and in the second, humanity in general. Gulliver is a full and powerful vision of a human being in a world in which violent passions, intellectual pride, and external chaos can degrade him or her---to animalism, in Swift's most horrifying images---but in which humans do have scope to act, guided by the Classical-Christian tradition. Gulliver's Travels has been an immensely successful children's book (although Swift did not care much for children), so widely popular through the world for its imagination, wit, fun, freshness, vigor, and narrative skill that its hero is in many languages a common proper noun. Perhaps as a consequence, its meaning has been the subject of continuing dispute, and its author has been called everything from sentimental to mad. Swift died in Dublin and was buried next to his beloved "Stella."
Thomas Carlyle was a social critic and historian born in Ecclefechan, Dumfriesshire, Scotland, December 4, 1795, the same year as John Keats, but Carlyle is considered an early Victorian rather than a Romantic. After completing his elementary studies, he went to the University of Edinburgh but left in 1814 without a degree. His parents wanted him to become a minister in the Scottish church, but his independence of spirit made such a life program impossible. In 1816 he fell in love with, and was rejected by, a young woman. His love affair was followed by a period of doubt and uncertainty described vividly in Sartor Resartus, a work published in 1833 that attracted much attention. Carlyle's first literary work reveals his admiration for German thought and philosophy, and especially for the two great German poets Schiller and Goethe. The fictional autobiography of a philosopher deeply impressed Ralph Waldo Emerson who brought it back to the United States to be published there. History of the French Revolution (1837), rewritten after parts of it were mistakenly burned as kindling by John Stuart Mill, cemented Carlyle's reputation. The work brought him fame but no great wealth. As a result of his comparative poverty he was induced to give four series of public lectures. Of these the most famous were those On Heroes, Hero-Worship, and the Heroic of History delivered in 1840 and published in 1841. Past and Present (1843), and Latter Day Pamphlets (1850) present his economic and industrial theories. With The Letters and Speeches of Oliver Cromwell (1845), The Life of John Sterling (1851), and History of Frederick II of Prussia, Called Frederick the Great (1858-1865) he returned to biography. In 1865, Carlyle was made Lord Rector of Edinburgh.