LIGEIA. MORELLA. THE OVAL PORTRAIT

Β· Strelbytskyy Multimedia Publishing Β· Π§ΠΈΡ‚Π° Mark Bowen
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Аудио-књига
1 с 23 мин
Π¦Π΅Π»Π° Π²Π΅Ρ€Π·ΠΈΡ˜Π°
Π˜ΡΠΏΡƒΡšΠ°Π²Π° условС
ΠžΡ†Π΅Π½Π΅ ΠΈ Ρ€Π΅Ρ†Π΅Π½Π·ΠΈΡ˜Π΅ нису Π²Π΅Ρ€ΠΈΡ„ΠΈΠΊΠΎΠ²Π°Π½Π΅ Β Π‘Π°Π·Π½Π°Ρ˜Ρ‚Π΅ вишС
Π–Π΅Π»ΠΈΡ‚Π΅ Π»ΠΈ ΡƒΠ·ΠΎΡ€Π°ΠΊ који Ρ‚Ρ€Π°Ρ˜Π΅ 8 ΠΌΠΈΠ½? Π‘Π»ΡƒΡˆΠ°Ρ˜Ρ‚Π΅ ΡƒΠ²Π΅ΠΊ, Ρ‡Π°ΠΊ ΠΈ ΠΎΡ„Π»Π°Ρ˜Π½.Β 
Π”ΠΎΠ΄Π°Ρ˜

О овој Π°ΡƒΠ΄ΠΈΠΎ-књизи

This is an essay about feminist theories and three of Edgar Allan Poe’s gothic stories: β€œLigeia,” β€œMorella,” and β€œThe Oval Portrait.”

Different than many essays that have similar topics and criticize Poe’s patriarchal thoughts, this essay examines the overlap between Poe’s gothic stories and feminist theories and analyzes Poe’s feminist ideas and thoughts. This essay argues that there is a feminist element in Poe’s stories, and describes the kind of feminist thought he holds.

This essay introduces some feminist theories that are relevant to victimization in Poe’s stories. this essay analyses some different aspects of the stories (the female characters’ appearances, sex, the position of females in their family

relationships, children, the dependence and independence females) and it tries to figure out the overlap between Poe’s stories and feminist theories to determine the kinds of feminist thought Poe holds.Β 

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Π‘Π»ΡƒΡˆΠ°ΠΎΡ†ΠΈΠΌΠ° сС свиђа ΠΈ

Још ΠΎΠ΄ Π°ΡƒΡ‚ΠΎΡ€Π° Edgar Allan Poe

Π‘Π»ΠΈΡ‡Π½Π΅ Π°ΡƒΠ΄ΠΈΠΎ-књигС