LIGEIA. MORELLA. THE OVAL PORTRAIT

ยท Strelbytskyy Multimedia Publishing ยท ๋‚ด๋ ˆ์ดํ„ฐ: Mark Bowen
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์˜ค๋””์˜ค๋ถ
1์‹œ๊ฐ„ 23๋ถ„
์›๋ณธ
์ ์šฉ ๊ฐ€๋Šฅ
๊ฒ€์ฆ๋˜์ง€ ์•Š์€ ํ‰์ ๊ณผ ๋ฆฌ๋ทฐ์ž…๋‹ˆ๋‹ค. ย ์ž์„ธํžˆ ์•Œ์•„๋ณด๊ธฐ
8๋ถ„ ์ƒ˜ํ”Œ์ด ํ•„์š”ํ•œ๊ฐ€์š”? ์˜คํ”„๋ผ์ธ์ผ ๋•Œ๋ฅผ ๋น„๋กฏํ•ด ์–ธ์ œ๋“ ์ง€ ๋“ค์„ ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค.ย 
์ถ”๊ฐ€

์˜ค๋””์˜ค๋ถ ์ •๋ณด

This is an essay about feminist theories and three of Edgar Allan Poeโ€™s gothic stories: โ€œLigeia,โ€ โ€œMorella,โ€ and โ€œThe Oval Portrait.โ€

Different than many essays that have similar topics and criticize Poeโ€™s patriarchal thoughts, this essay examines the overlap between Poeโ€™s gothic stories and feminist theories and analyzes Poeโ€™s feminist ideas and thoughts. This essay argues that there is a feminist element in Poeโ€™s stories, and describes the kind of feminist thought he holds.

This essay introduces some feminist theories that are relevant to victimization in Poeโ€™s stories. this essay analyses some different aspects of the stories (the female charactersโ€™ appearances, sex, the position of females in their family

relationships, children, the dependence and independence females) and it tries to figure out the overlap between Poeโ€™s stories and feminist theories to determine the kinds of feminist thought Poe holds.ย 

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์˜ค๋””์˜ค๋ถ ํ‰๊ฐ€

์˜๊ฒฌ์„ ์•Œ๋ ค์ฃผ์„ธ์š”.

์˜ค๋””์˜ค๋ถ์„ ๋“ฃ๋Š” ๋ฐฉ๋ฒ•

์Šค๋งˆํŠธํฐ ๋ฐ ํƒœ๋ธ”๋ฆฟ
Android ๋ฐ iPad/iPhone์šฉ Google Play ๋ถ ์•ฑ์„ ์„ค์น˜ํ•˜์„ธ์š”. ๊ณ„์ •๊ณผ ์ž๋™์œผ๋กœ ๋™๊ธฐํ™”๋˜์–ด ์–ด๋””์„œ๋‚˜ ์˜จ๋ผ์ธ ๋˜๋Š” ์˜คํ”„๋ผ์ธ์œผ๋กœ ์ฑ…์„ ์ฝ์„ ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค.
๋…ธํŠธ๋ถ ๋ฐ ์ปดํ“จํ„ฐ
Google Play์—์„œ ๊ตฌ์ž…ํ•œ ๋„์„œ๋ฅผ ์ปดํ“จํ„ฐ์˜ ์›น๋ธŒ๋ผ์šฐ์ €๋กœ ์ฝ์„ ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค.

๊ด€๋ จ ์˜ค๋””์˜ค๋ถ

Edgar Allan Poe ์ž‘๊ฐ€์˜ ์ฑ… ๋”๋ณด๊ธฐ

๋น„์Šทํ•œ ์˜ค๋””์˜ค๋ถ